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Delicate pursuit : discretion in Henry James and Edith Wharton / Jessica Levine.

By: Material type: TextTextSeries: Studies in major literary authors ; v. 13.Publication details: New York : Routledge, 2002.Description: 1 online resource (xiv, 233 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781136067143
  • 1136067140
  • 9780203616963
  • 0203616960
  • 9780203616963
Subject(s): Genre/Form: Additional physical formats: Print version:: Delicate pursuit.DDC classification:
  • 813/.409353 22
LOC classification:
  • PS2127.D58 L48 2002eb
Online resources:
Contents:
pt. 1. Censorship/self-censorship in James and Wharton -- pt. 2. French classicism and the discreet imagination -- pt. 3. Displacements of the adultery plot.
Summary: Delicate Pursuit explores the way in which Henry James and Edith Wharton treated subject matter that was considered controversial by American publishers at the turn of the century. In their treatment of risque topics, James and Wharton pursued ""discretion"", the key concept of this study, in order to avoid censorship. Discretion marks not only the author's relationship to their subject matter but also the behavior of the characters in the fiction. This study takes into particular account the influence of the French literary tradition on these two authors. At the crossroads of the new fre.
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Includes bibliographical references (pages 221-228) and index.

Print version record.

pt. 1. Censorship/self-censorship in James and Wharton -- pt. 2. French classicism and the discreet imagination -- pt. 3. Displacements of the adultery plot.

Delicate Pursuit explores the way in which Henry James and Edith Wharton treated subject matter that was considered controversial by American publishers at the turn of the century. In their treatment of risque topics, James and Wharton pursued ""discretion"", the key concept of this study, in order to avoid censorship. Discretion marks not only the author's relationship to their subject matter but also the behavior of the characters in the fiction. This study takes into particular account the influence of the French literary tradition on these two authors. At the crossroads of the new fre.

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