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John Donne's performances : sermons, poems, letters and devotions / Marget Fetzer.

By: Material type: TextTextPublication details: Manchester : Manchester University Press, 2010.Description: 1 online resource (x, 317 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781847792969
  • 1847792960
  • 9781781700051
  • 1781700052
Subject(s): Genre/Form: Additional physical formats: Print version:: John Donne's performances.; Print version:: John Donne's Performances : Sermons, poems, Letters and devotions.DDC classification:
  • 821.3
LOC classification:
  • PR2248 .F48 2010eb
Other classification:
  • 18.05
Online resources:
Contents:
Introduction: beginning Donne -- 1. Pulpit performances: sermons -- 2. Promethean and protean performances: worldly poems -- 3. Passionate performances: poems erotic and divine -- 4. Patronage performances: letters -- 5. (Inter)Personal performances: Devotions -- Conclusion: being Don(n)e.
Summary: Ever since their rediscovery in the 1920s, John Donne's writings have been praised for their energy, vigour and drama - yet so far, no attempt has been made to approach and define systematically these major characteristics of his work. Drawing on J.L. Austin's speech act theory, Margret Fetzer's comparative reading of Donne's poetry and prose eschews questions of personal or religious sincerity and instead recreates an image of John Donne as a man of many performances. No matter if engaged in the writing of a sermon or a piece of erotic poetry, Donne placed enormous trust in what words could.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction: beginning Donne -- 1. Pulpit performances: sermons -- 2. Promethean and protean performances: worldly poems -- 3. Passionate performances: poems erotic and divine -- 4. Patronage performances: letters -- 5. (Inter)Personal performances: Devotions -- Conclusion: being Don(n)e.

Ever since their rediscovery in the 1920s, John Donne's writings have been praised for their energy, vigour and drama - yet so far, no attempt has been made to approach and define systematically these major characteristics of his work. Drawing on J.L. Austin's speech act theory, Margret Fetzer's comparative reading of Donne's poetry and prose eschews questions of personal or religious sincerity and instead recreates an image of John Donne as a man of many performances. No matter if engaged in the writing of a sermon or a piece of erotic poetry, Donne placed enormous trust in what words could.

Print version record.

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