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Cinema at the crossroads : nation and the subject in East Asian cinema / Hyon Joo Yoo.

By: Material type: TextTextPublication details: Lanham : Lexington Books, 2012.Description: 1 online resource (xiii, 154 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780739175354
  • 0739175351
  • 9786613689313
  • 6613689319
Subject(s): Genre/Form: Additional physical formats: Print version:: Cinema at the crossroads.DDC classification:
  • 791.43095 23
LOC classification:
  • PN1993.5.E19 Y68 2012eb
Online resources:
Contents:
Introduction: What's in a name? postcolonial East Asia -- The other empire: Japan and the pornographic imagination of East Asia -- Can the subaltern "see"? the subaltern vision and looking otherwise -- Transnational cultural production and the politics of moribund masculinity -- When is it postcolonial? time-space in East Asian national cinema -- Epilogue.
Summary: What does it mean to rethink postcolonial studies through East Asian experience and cinema? Cinema at the Crossroads: Nation and the Subject in East Asian Cinema by Hyon Joo Yoo, pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. This is a profound look into how cinema and national culture intertwine with hegemony and power. </s.
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Includes bibliographical references and index.

Introduction: What's in a name? postcolonial East Asia -- The other empire: Japan and the pornographic imagination of East Asia -- Can the subaltern "see"? the subaltern vision and looking otherwise -- Transnational cultural production and the politics of moribund masculinity -- When is it postcolonial? time-space in East Asian national cinema -- Epilogue.

Print version record.

What does it mean to rethink postcolonial studies through East Asian experience and cinema? Cinema at the Crossroads: Nation and the Subject in East Asian Cinema by Hyon Joo Yoo, pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. This is a profound look into how cinema and national culture intertwine with hegemony and power. </s.

English.

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