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The novel and theatrical imagination in early modern China / by Mei Chun.

By: Material type: TextTextSeries: Sinica Leidensia ; 101.Publication details: Leiden ; Boston : Brill, 2011.Description: 1 online resource (xii, 277 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004195936
  • 9004195939
Subject(s): Genre/Form: Additional physical formats: Print version:: Novel and theatrical imagination in early modern China.DDC classification:
  • 895.1/34809 22
LOC classification:
  • PL2432.5 .M45 2011eb
Online resources:
Contents:
Introduction -- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical -- Part II. Playful theatricals: Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing: perceptive and fleshly eyes -- Part III. Didactic theater versus playful theatricals: tropes of theater in Zhishang chuntai and Wusheng xi.
Summary: Using the concept of theatricality to study Water Margin and Journey to the West, this study illustrates how writing and reading in early modern China became fused with a theatrical imagination in response to destabilizing social and political forces.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction -- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical -- Part II. Playful theatricals: Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing: perceptive and fleshly eyes -- Part III. Didactic theater versus playful theatricals: tropes of theater in Zhishang chuntai and Wusheng xi.

Print version record.

Using the concept of theatricality to study Water Margin and Journey to the West, this study illustrates how writing and reading in early modern China became fused with a theatrical imagination in response to destabilizing social and political forces.

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