Cultural commodities in Japanese rural revitalization : Tsugaru Nuri Lacquerware and Tsugaru Shamisen / by Anthony S. Rausch.

By:

Rausch, Anthony, 1960-

Material type: Text

TextSeries: Social sciences in Asia ; v. 28.Publication details: Leiden ; Boston : Brill, 2010.Description: 1 online resource (xii, 232 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789047444268
9047444264
1282951297
9781282951297

Subject(s): Genre/Form:

Additional physical formats: Print version:: Cultural commodities in Japanese rural revitalization : Tsugaru Nuri Lacquerware and Tsugaru Shamisen.DDC classification:

307.1/4120952 22

LOC classification:

HN730.C6 R38 2010eb

Online resources:

Click here to access online

Contents:

The future of local places -- The Tsugaru district of Aomori prefecture -- Culture in revitalization : policy, production, and consumption -- Tsugaru revitalization policy and cultural commodities -- The production of Tsugaru cultural commodities -- Cultural commodities and local revitalization.

Summary: The fate of local places increasingly rests on their capability to capitalize on their highly specific local cultural resources. Cultural Commodities in Japanese Rural Revitalization: Tsugaru Nuri Lacquerware and Tsugaru Shamisen examines the dynamics of this reality for the Tsugaru District of the Aomori Prefecture, Japan, and its two dominant cultural commodities, a lacquerware and a musical performance. Organized on the basis of policy, production and consumption, the research points to historical trajectory and a combinative conceptual-operational space as the means of identifying cultural.

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Includes bibliographical references (pages 221-229) and index.

Print version record.

The fate of local places increasingly rests on their capability to capitalize on their highly specific local cultural resources. Cultural Commodities in Japanese Rural Revitalization: Tsugaru Nuri Lacquerware and Tsugaru Shamisen examines the dynamics of this reality for the Tsugaru District of the Aomori Prefecture, Japan, and its two dominant cultural commodities, a lacquerware and a musical performance. Organized on the basis of policy, production and consumption, the research points to historical trajectory and a combinative conceptual-operational space as the means of identifying cultural.

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