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The Body as Medium and Metaphor.

By: Material type: TextTextSeries: Faux Titre, 312Publication details: Amsterdam : Rodopi, 2008.Description: 1 online resource (213 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789401205856
  • 940120585X
  • 9781435647534
  • 143564753X
Subject(s): Genre/Form: Additional physical formats: Print version:: Body as Medium and Metaphor.DDC classification:
  • 840.90091
LOC classification:
  • PQ2631.R63 W47 2008eb
Online resources:
Contents:
The Body as Medium and Metaphor; Contents; Introduction; Imaging the Absent Subject: Marcel Duchamp's Le Grand Verre; The Autoportrait: Michel Leiris' L'Âge d'Homme; Mimicking Mimesis: Francis Bacon's Portraits; Textual Imagery: Visualizing the Self in the Writing of Bernard Noël and Gisèle Prassinos; From the informe to the abject: shifting morphologies in the art of Louise Bourgeois and Orlan; Conclusion; Bibliography.
Summary: Reconsidering the relationship between autobiography and self-portraiture, The Body as Medium and Metaphor explores the intertextuality of self-representation in twentieth-century French art. Situating the body as the nexus of intersections between the written word and the visual image, this book rethinks the problematic status of the self. Starting at the twentieth-century's departure from figurative and mimetic representation, this study discusses the work of seminal artists and writers - including Marcel Duchamp, Michel Leiris, Francis Bacon, Bernard Noël, Gisèle Prassinos, Louise Bourgeois.
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The Body as Medium and Metaphor; Contents; Introduction; Imaging the Absent Subject: Marcel Duchamp's Le Grand Verre; The Autoportrait: Michel Leiris' L'Âge d'Homme; Mimicking Mimesis: Francis Bacon's Portraits; Textual Imagery: Visualizing the Self in the Writing of Bernard Noël and Gisèle Prassinos; From the informe to the abject: shifting morphologies in the art of Louise Bourgeois and Orlan; Conclusion; Bibliography.

Reconsidering the relationship between autobiography and self-portraiture, The Body as Medium and Metaphor explores the intertextuality of self-representation in twentieth-century French art. Situating the body as the nexus of intersections between the written word and the visual image, this book rethinks the problematic status of the self. Starting at the twentieth-century's departure from figurative and mimetic representation, this study discusses the work of seminal artists and writers - including Marcel Duchamp, Michel Leiris, Francis Bacon, Bernard Noël, Gisèle Prassinos, Louise Bourgeois.

Includes bibliographical references (pages 205-212).

Print version record.

English.

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