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Indigenous symbols and practices in the Catholic Church : visual culture, missionization, and appropriation / [edited by] Kathleen J. Martin.

Contributor(s): Material type: TextTextSeries: Vitality of indigenous religionsPublication details: Farnham, Surrey, England ; Burlington, VT : Ashgate Pub., 2010.Description: 1 online resource (xxii, 271 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780754697794
  • 0754697797
Subject(s): Genre/Form: Additional physical formats: Print version:: Indigenous symbols and practices in the Catholic Church.DDC classification:
  • 282.089 22
LOC classification:
  • BV2180 .I53 2010eb
Online resources:
Contents:
Introduction -- Resistance and change : visual culture, missionization and appropriation / Kathleen J. Martin -- Spiritual freedom, pious appropriation / James J. Garrett -- Denying religion : Native Americans and French missionaries in early new France / James B. Jeffries -- Past and present transformation of Hawaiian religious participation / Kalani Beyer -- Ghosts of photography : the 1890 ghost dance and afterimages of the sacred / Larry Taylor -- Negotiating the evidence : Christianity and the ruins of native America / David Toole -- Jesus was not an Indian : encountering native images in the Catholic Church / Kathleen J. Martin -- Ke kauhale o limaloa : a kanaka maoli approach to teaching through image making / Herman Piikea Clark -- The photographic vision of Delvin Slick : beauty and power in sacred places / Karen Willeto and Delvin Slick -- California imagery in context : the Mono Basin Kutzadikaa Paiutes / Angela D. Blaver -- Dancing the Comanches, the Santo Niño, la Virgen (of Guadalupe) and the Genizaro Indians of New Mexico / Bernardo P. Gallegos -- Trickster's art and artifice : concluding thoughts / Kathleen J. Martin and Angela D. Blaver.
Summary: Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationship among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such a multidisciplinary interpretation of appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual studies, i.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction -- Resistance and change : visual culture, missionization and appropriation / Kathleen J. Martin -- Spiritual freedom, pious appropriation / James J. Garrett -- Denying religion : Native Americans and French missionaries in early new France / James B. Jeffries -- Past and present transformation of Hawaiian religious participation / Kalani Beyer -- Ghosts of photography : the 1890 ghost dance and afterimages of the sacred / Larry Taylor -- Negotiating the evidence : Christianity and the ruins of native America / David Toole -- Jesus was not an Indian : encountering native images in the Catholic Church / Kathleen J. Martin -- Ke kauhale o limaloa : a kanaka maoli approach to teaching through image making / Herman Piikea Clark -- The photographic vision of Delvin Slick : beauty and power in sacred places / Karen Willeto and Delvin Slick -- California imagery in context : the Mono Basin Kutzadikaa Paiutes / Angela D. Blaver -- Dancing the Comanches, the Santo Niño, la Virgen (of Guadalupe) and the Genizaro Indians of New Mexico / Bernardo P. Gallegos -- Trickster's art and artifice : concluding thoughts / Kathleen J. Martin and Angela D. Blaver.

Print version record.

Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationship among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such a multidisciplinary interpretation of appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual studies, i.

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