Philosophy and conceptual art / edited by Peter Goldie and Elisabeth Schellekens.

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Material type: Text

TextPublication details: Oxford : Clarendon Press ; Oxford ; New York : Oxford University Press, 2007.Description: 1 online resource (xxi, 273 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

0191536547
9780191536540
9780199285556
0199285551
9781429492997
1429492996
9786611154134
6611154132

Other title:

Philosophy & conceptual art [Cover title]

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Additional physical formats: Print version:: Philosophy and conceptual art.DDC classification:

709.04/075 22

LOC classification:

BH39 .P474 2007eb

Online resources:

Click here to access online

Contents:

Contents; List of Illustrations; Introduction; Part I: Conceptual Art as a Kind of Art; Part II: Conceptual Art and Aesthetic Value; Part III: Conceptual Art, Knowledge and Understanding; Part IV: Appreciating Conceptual Art; Index.

Summary: Fourteen prominent analytic philosophers engage with the philosophical puzzles raised by conceptual art: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? - ;The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not a.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Fourteen prominent analytic philosophers engage with the philosophical puzzles raised by conceptual art: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? - ;The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not a.

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