In the mind's eye : Julian Hochberg on the perception of pictures, films, and the world / edited by Mary A. Peterson, Barbara Gillam, H.A. Sedgwick.

Includes bibliographical references and index.

1 Familiar size and the perception of depth -- 2 A quantitative approach to figural "goodness" -- 3 Apparent spatial arrangement and perceived brightness -- 4 Perception: toward the recovery of a definition -- 5 The psychophysics of pictorial perception -- 6 Pictorial recognition as an unlearned ability: a study of one child's performance -- 7 Recognition of faces -- 8 In the mind's eye -- 9 Attention, organization, and consciousness -- 10 Components of literacy -- 11 Reading as an intentional behavior -- 12 The representation of things and people -- 13 Higher-order stimuli and inter-response coupling in the perception of the visual world -- 14 Film cutting and visual momentum -- 15 Pictorial functions and perceptual structures -- 16 Levels of perceptual organization -- 17 How big is a stimulus -- 18 From perception: experience and explanations -- 19 The perception of pictorial representations -- 20 Movies in the mind's eye -- 21 Looking ahead (one glance at a time) -- 22 The piecemeal, constructive, and schematic nature of perception -- 23 Hochberg: a perceptual psychologist -- 24 Mental schemata and the limits of perception -- 25 Integration of visual information across saccades -- 26 Scene perception: the world through a window -- 27 "How big is a stimulus?": learning about imagery by studying perception -- 28 How big is an optical invariant?: limits of tau in time-to-contact judgments -- 29 Hochberg and inattentional blindness -- 30 Framing the rules of perception: Hochberg versus Galileo, Gestalts, Garner, and Gibson -- 31 On the internal consistency of perceptual organization -- 32 Piecemeal perception and Hochberg's window: grouping of stimulus elements over distances -- 33 The resurrection of simplicity in vision -- 34 Shape constancy and perceptual simplicity: Hochberg's fundamental contributions -- 35 Constructing and interpreting the world in the cerebral hemispheres -- 36 Segmentation, grouping, and shape: some Hochbergian questions -- 37 Ideas of lasting influence: Hochberg's anticipation of research on change blindness and motion-picture perception -- 38 On the cognitive ecology of the cinema -- 39 Hochberg on the perception of pictures and of the world -- 40 Celebrating the usefulness of pictorial information in visual perception -- 41 Mental structure in experts' perception on human movement -- Julian Hochberg: biography and bibliography.

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Author List. Introduction. Section I: Selected Papers of Julian Hochberg. 1. Hochberg, C. B. & Hochberg, J. (1952). Familiar size and the perception of depth. Journal of Psychology, 34, 107-114. 2. Hochberg, J. & McAlister, E. (1953). A quantitative approach to figural goodness. Journal of Experimental Psychology, 46, 361-364. 3. Hochberg, J. & Beck, J. (1954). Apparent spatial arrangement and perceived brightness. Journal of Experimental Psychology, 47, 263-266. 4. Hochberg, J. (1956). Perception: Toward the recovery of a definition. Psychological Review, 63, 400-405. 5. Hochberg, J. (1962).

English.

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