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Signs and cities : Black literary postmodernism / Madhu Dubey.

By: Material type: TextTextPublication details: Chicago : University of Chicago Press, ©2003.Description: 1 online resource (ix, 284 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780226167282
  • 0226167283
  • 9780226167268
  • 0226167267
  • 9780226167275
  • 0226167275
  • 1281125504
  • 9781281125507
Subject(s): Genre/Form: Additional physical formats: Print version:: Signs and cities.DDC classification:
  • 810.9/113/08996073 22
LOC classification:
  • PS153.N5 D83 2003eb
Online resources:
Contents:
The postmodern moment in Black literary and cultural studies -- Books of life: postmodern uses of print literacy -- Urban writing as voyeurism: literature in the age of spectacle -- Reading as listening: the Southern folk aesthetic -- Reading as mediation: urbanity in the age of information.
Summary: Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970s, marked by acute disenchantment with the promises of urban modernity and of print literacy. Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 243-276) and index.

The postmodern moment in Black literary and cultural studies -- Books of life: postmodern uses of print literacy -- Urban writing as voyeurism: literature in the age of spectacle -- Reading as listening: the Southern folk aesthetic -- Reading as mediation: urbanity in the age of information.

Print version record.

Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970s, marked by acute disenchantment with the promises of urban modernity and of print literacy. Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor.

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