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Florentine drama for convent and festival : seven sacred plays / Antonia Pulci ; annotated and translated by James Wyatt Cook ; edited by James Wyatt Cook and Barbara Collier Cook.

By: Contributor(s): Material type: TextTextLanguage: English Original language: Italian Series: Other voice in early modern EuropePublication details: Chicago : University of Chicago Press, ©1996.Description: 1 online resource (xxx, 281 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0226685187
  • 9780226685182
  • 9780226685168
  • 0226685160
Uniform titles:
  • Works. English. 1996
Subject(s): Genre/Form: Additional physical formats: Print version:: Florentine drama for convent and festival.DDC classification:
  • 852/.3 20
LOC classification:
  • PQ4630.P8 A23 1996eb
Online resources:
Contents:
Antonia Pulci and her plays -- The play of Saint Francis -- The play of Saint (Flavia) Domitilla -- The play of Saint Guglielma -- The play of the prodigal son -- The play of Saint Anthony the Abbot -- The play of Saint Theodora -- The play and festival of Rosana -- The second part of the festival of Ulimentus and Rosana.
Summary: A talented poet and a gifted dramatist, Antonia Pulci (1452-1501) pursued two vocations, first as a wife and later as founder of an Augustinian order. During and after her marriage, Pulci authored several sacre rappresentazioni--one-act plays on Christian subjects. Often written to be performed by nuns for female audiences, Pulci's plays focus closely on the concerns of women. Exploring the choice that Renaissance women had between marriage, the convent, or uncloistered religious life, Pulci's female characters do not merely glorify the religious life at the expense of the secular. Rather, these women consider and deal with the unwanted advances of men, negligent and abusive husbands and suitors, the dangers of childbearing, and the disappointments of child rearing. They manage households and kingdoms successfully. Pulci's heroines are thoughtful; their capacity for analysis and action regularly resolve the moral, filial, and religious crises of their husbands and admirers. Available in English for the first time, this volume recovers the long muted voice of an early and important female Italian poet and playwright.
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Includes bibliographical references (pages 38-46) and index.

Antonia Pulci and her plays -- The play of Saint Francis -- The play of Saint (Flavia) Domitilla -- The play of Saint Guglielma -- The play of the prodigal son -- The play of Saint Anthony the Abbot -- The play of Saint Theodora -- The play and festival of Rosana -- The second part of the festival of Ulimentus and Rosana.

A talented poet and a gifted dramatist, Antonia Pulci (1452-1501) pursued two vocations, first as a wife and later as founder of an Augustinian order. During and after her marriage, Pulci authored several sacre rappresentazioni--one-act plays on Christian subjects. Often written to be performed by nuns for female audiences, Pulci's plays focus closely on the concerns of women. Exploring the choice that Renaissance women had between marriage, the convent, or uncloistered religious life, Pulci's female characters do not merely glorify the religious life at the expense of the secular. Rather, these women consider and deal with the unwanted advances of men, negligent and abusive husbands and suitors, the dangers of childbearing, and the disappointments of child rearing. They manage households and kingdoms successfully. Pulci's heroines are thoughtful; their capacity for analysis and action regularly resolve the moral, filial, and religious crises of their husbands and admirers. Available in English for the first time, this volume recovers the long muted voice of an early and important female Italian poet and playwright.

Print version record.

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