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A self-conscious art : Patrick Modiano's postmodern fictions / Akane Kawakami.

By: Material type: TextTextSeries: Modern French writers ; 5.Publication details: Liverpool : Liverpool University Press, 2000.Description: 1 online resource (166 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781846314025
  • 184631402X
  • 9781781388372
  • 1781388377
Subject(s): Genre/Form: Additional physical formats: Print version:: Self-conscious art.DDC classification:
  • 843/.914 22
LOC classification:
  • PQ2673.O3 Z75 2000eb
Other classification:
  • 18.25
Online resources:
Contents:
Title Page; Table of Contents; Acknowledgements; Introduction; 1: Degree Zero Voices: The Empty Narrator; 2: Disorderly Narratives: The Order of Narration; 3: Unreal Stories: The 'effet d'irreel'; 4: Being Serious: Modiano's Use of History; 5: Being Playful: Parody and Disappointment; 6: Being Popular: The Modiano Novel; Notes to Introduction; Bibliography; Index.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: A Self-Conscious Art is the first full-length study in English to attempt to deal with the formal complexities of Modiano?s work, by reading?against the grain? of his self-professed ingenuousness. A detailed examination of his narratives shows the deeply postmodern nature of his writing. Parodying precursors such as Proust or the nouveau romanciers, his narratives are built around a profound lack of faith in the ability of writing to retrieve the past through memory, and this failure is acknowledged in the discreet playfulness that characterises his novels. This book is a timely introduction.
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Includes bibliographical references (pages 153-162) and index.

Print version record.

A Self-Conscious Art is the first full-length study in English to attempt to deal with the formal complexities of Modiano?s work, by reading?against the grain? of his self-professed ingenuousness. A detailed examination of his narratives shows the deeply postmodern nature of his writing. Parodying precursors such as Proust or the nouveau romanciers, his narratives are built around a profound lack of faith in the ability of writing to retrieve the past through memory, and this failure is acknowledged in the discreet playfulness that characterises his novels. This book is a timely introduction.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Title Page; Table of Contents; Acknowledgements; Introduction; 1: Degree Zero Voices: The Empty Narrator; 2: Disorderly Narratives: The Order of Narration; 3: Unreal Stories: The 'effet d'irreel'; 4: Being Serious: Modiano's Use of History; 5: Being Playful: Parody and Disappointment; 6: Being Popular: The Modiano Novel; Notes to Introduction; Bibliography; Index.

English.

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