Sublime economy : on the intersection of art and economics / edited by Jack Amariglio, Joseph W. Childers and Stephen E. Cullenberg.

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Material type: Text

TextSeries: Routledge frontiers of political economy ; 111.Publication details: Abingdon, UK : Routledge, 2009.Description: 1 online resource (xx, 316 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780203890578
0203890574
1134002912
9781134002917
1281899909
9781281899903
9786611899905
6611899901

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Additional physical formats: Print version:: Sublime economy.DDC classification:

330.01 22

LOC classification:

HB72 .S83 2009eb

Online resources:

Click here to access online

Contents:

pt. 1. "Tokens of eccentricity": value and the aesthetic representation of economy -- pt. 2. Sublime intercourse; economics meets aesthetics (and vice versa) -- pt. 3. Name your price -- pt. 4. Moral economics and the romance of money.

Summary: Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of ""the economy"" as sublime. It might even be said that much of the emergence of a distinctly ""modern"" art in the West is inextricably linked to the perception of art's own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, ""sublime economy"" has yet to be investigated in a purely c.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Print version record.

Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of ""the economy"" as sublime. It might even be said that much of the emergence of a distinctly ""modern"" art in the West is inextricably linked to the perception of art's own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, ""sublime economy"" has yet to be investigated in a purely c.

English.

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