Architectures of illusion : from motion pictures to navigable interactive environments / Maureen Thomas and François Penz, (eds.).

Contributor(s):

Material type: Text

TextPublication details: Bristol ; Portland, OR : Intellect, 2003.Description: 1 online resource (1 volume) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1841508926
9781841508924

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Architectures of illusion.DDC classification:

302.231 22

LOC classification:

QA76.575 .A73 2003eb

Online resources:

Click here to access online

Contents:

Introduction -- Animation, art and digitality -- Beyond digitality: cinema, console games and screen language -- Architecture and the screen from photography to synthetic imaging.

Summary: The world of media production is in a state of rapid transformation. In this age of the Internet, interactivity and digital broadcasting, do traditional standards of quality apply or must we identify and implement new criteria? This profile of the work of the Cambridge University Moving Image Studio (CUMIS), presents a strong argument that new developments in digital media are absolutely dependent on an understanding of traditional excellence. The book stands alone in placing equal emphasis on theoretical and practical aspects of its subject matter and avoids jargon so as to be easily understo.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Print version record.

Introduction -- Animation, art and digitality -- Beyond digitality: cinema, console games and screen language -- Architecture and the screen from photography to synthetic imaging.

The world of media production is in a state of rapid transformation. In this age of the Internet, interactivity and digital broadcasting, do traditional standards of quality apply or must we identify and implement new criteria? This profile of the work of the Cambridge University Moving Image Studio (CUMIS), presents a strong argument that new developments in digital media are absolutely dependent on an understanding of traditional excellence. The book stands alone in placing equal emphasis on theoretical and practical aspects of its subject matter and avoids jargon so as to be easily understo.

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