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Imoinda's Shade : Marriage and the African Woman in Eighteenth-Century British Literature, 1759-1808 / Lyndon J. Dominique.

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2012Manufacturer: Baltimore, Md. : Project MUSE, 2014Copyright date: ©2012Description: 1 online resource (xii, 289 p.) : illContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814211854
  • 0814270506
  • 0814211852
  • 9780814270509
Subject(s): Genre/Form: DDC classification:
  • 820.9/3552 23
LOC classification:
  • PR448.R33 D66 2012
Online resources:
Contents:
Altering Oroonoko and Imoinda in mid-eighteenth century British drama -- The soft, strategic voice of paternal tyranny : amelioration and African women in The grateful negro -- "Between the saints and the rebels" : Imoinda and the resurrection of the black African heroine -- Creoles, closure, and Cubba's comedy of pain : abolition and the politics of homecoming in eighteenth-century British farce -- "What? Are we going to prosecu massa?" : Adeline Mowbray's distinguished complexion of abolition -- "An unportioned girl of my complexion can...be a dangerous object." Abolition and the mulatto heiress in England.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books Open Access Available

Includes bibliographical references (p. 269-280) and index.

Altering Oroonoko and Imoinda in mid-eighteenth century British drama -- The soft, strategic voice of paternal tyranny : amelioration and African women in The grateful negro -- "Between the saints and the rebels" : Imoinda and the resurrection of the black African heroine -- Creoles, closure, and Cubba's comedy of pain : abolition and the politics of homecoming in eighteenth-century British farce -- "What? Are we going to prosecu massa?" : Adeline Mowbray's distinguished complexion of abolition -- "An unportioned girl of my complexion can...be a dangerous object." Abolition and the mulatto heiress in England.

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