The Pusan International Film Festival, South Korean cinema, and globalization.
Material type: TextSeries: TransAsia--screen culturesCopyright date: ©2012Description: 1 online resource (231 pages)Content type:- text
- computer
- online resource
- 9789888053865
- 9888053868
- 9789882209268
- 9882209262
- Pusan Kukche Yŏnghwaje -- History
- Pusan Kukche Yŏnghwaje
- Film festivals -- Korea (South) -- Pusan -- History
- Motion picture industry -- Korea (South)
- Motion pictures and globalization
- Festivals de cinéma -- Corée du Sud -- Pusan -- Histoire
- Cinéma -- Industrie -- Corée du Sud
- Cinéma et mondialisation
- ART -- Film & Video
- PERFORMING ARTS -- Film & Video -- Reference
- PERFORMING ARTS -- Film & Video -- General
- Film festivals
- Motion picture industry
- Motion pictures and globalization
- Korea (South)
- Korea (South) -- Pusan
- Filmfestivaler -- historia
- Filmbranschen -- historia
- Kultur och globalisering
- Sydkorea -- Pusan
- 791.430745195
- PN1993.93.K6 A889 2012
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Note to Reader; Abbreviations; Introduction -- Film Festivals between the National and the Regional in the Age of Globalization; 1. Why Pusan?: The Political Economy of a Film Festival; 2. Negotiating a Place between Korean Cinema and Asian Cinema: Programming Politics; 3. Re-imagining the Past: Programming Retrospectives; 4. A Global Film Producer: The Pusan Promotion Plan; 5. Remapping Asian Cinema: The Tenth Anniversary in 2005; Conclusion: Toward a New Channel; Appendix 1. Film Festivals in East Asia (1999); Appendix 2. PIFF over 15 Years (1996-2010).
Appendix 3. Main Program Sections of PIFFAppendix 4. An Overview of the Tenth PIFF (October 6-14, 2005); Appendix 5. PPP Project Accomplishments (1998-2005); Notes; Bibliography; Index.
This book provides a social, political and cultural exploration of the Pusan International Film Festival (PIFF) in South Korea that since its inception in 1996. By paying a particular attention to the organizers' use of an Asian regionalization strategy, the book reveals how the festival staked out a unique and influential position within a rapidly changing global landscape.
Print version record.
Includes bibliographical references and index.
English.
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