Authenticity and legitimacy in minority theatre : constructing identity / edited by Madelena Gonzalez and Patrice Brasseur.

Contributor(s):

Gonzalez, Madelena

Material type: Text

TextLanguage: French, English Summary language: English, French Publication details: Newcastle upon Tyne : Cambridge Scholars Publishing, 2010, ©2010.Description: 1 online resource (xxix, 348 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443821841
1443821845

Contained works:

Dumousseau, Magali. De l'ombre à la lumière

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: Authenticity and legitimacy in minority theatre.DDC classification:

792.089 22

LOC classification:

PN2219.E84 A96 2010

Online resources:

Click here to access online

Contents:

TABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; LE THÉÂTRE COMMUNAUTAIRE À BELFAST ET LA QUESTION DE L'IDENTITÉ CULTURELLE AU COURS DES ANNÉES 90; LE " THÉÂTRE CADIEN "; DE IASI (ROUMANIE) À NEW YORK; DE LA SCÈNE SOCIALE À LA SCÈNE DE THÉÂTRE; CHAPTER TWO; DE L'OMBRE À LA LUMIÈRE; BIG ART GROUP; CHRISTOPHER DEANS, THÉÂTRE DOUBLEMENT IDENTITAIRE, RÉSISTANCE ET VISIBILITÉ EN ÉCOSSE; A PAGEANT OF GREAT WOMEN (1909) DE CICELY HAMILTON ET CHRISTOPHER ST. JOHN; CHAPTER THREE; DU PÉNITENCIER AUX PLANCHES; CRÉATION THÉÂTRALE DANS LE CHILI DES ANNÉES PINOCHET.

LE THÉÂTRE MILITANT D'AUGUSTO BOAL OU L'ENJEU DE LA SOCIALISATION POLITIQUE DES GROUPES MINORITAIRESLE PREMIER THÉÂTRE D'AIMÉ CÉSAIRE, ENTRE RÉVOLTE POLITIQUE ET RÉBELLION POÉTIQUE; MARCO MARTINELLI ET LA " ROMAGNA AFRICANA ". DE MOR ARLECCHINO (1993) À UBU BUUR (2007); CHAPTER FOUR; LA PAROLE BILINGUE DES MINORITÉS FRANCOPHONES DE L'OUEST SUR LES SCÈNES CANADIENNES; DÉFIS DE L'ÉCRITURE THÉÂTRALE EN CONTEXTE FRANCO-CANADIEN; L'AUTO-TRADUCTION DU THÉÂTRE DE MARCO MICONE; PARIS, BRUXELLES, VARSOVIE; CHAPTER FIVE.

LE THÉÂTRE DES MINORITÉS ET LA QUÊTE D'AUTHENTICITÉ DANS LES INDUSTRIES CULTURELLES OU LA DRAMATURGIE PARALLÈLETHE SASKATCHEWAN NATIVE THEATRE COMPANY; STAGING CHANGES THAT HURT; LE THÉÂTRE COMME TERRITOIRE IMAGINAIRE. ANALYSE DE L'INTERTEXTUALITÉ DANS KMÙKAMCH L'ASIERINDIEN, D'YVES SIOUI DURAND; LES THÉÂTRES INDIENS TRADITIONNELS ET LEUR DEVENIR MINORITAIRE; LE HAKA MAORI SUR LA SCÈNE NÉO-ZÉLANDAISE CONTEMPORAINE; NOTES ON CONTRIBUTORS; INDEX.

Summary: Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a ...

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Majority of articles in French; two articles are in English; introduction in English; abstracts in English and French.

Includes bibliographical references and index.

Print version record.

Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a ...

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