Mirages de la farce : Fête des fous, Bruegel et Molière.

By:

Boucquey, Thierry

Material type: Text

TextPublication details: Amsterdam/Philadelphia : John Benjamins Pub. Co., 1991.Description: 1 online resource (175 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789027277787
9027277788
1283358670
9781283358675
9789027217516
9027217513

Subject(s): Genre/Form:

Additional physical formats: Print version:: No titleDDC classification:

LOC classification:

PQ584

Online resources:

Click here to access online

Contents:

MIRAGES DE LA FARCEFête des fous, Bruegel et Molière; Editorial page; Title page; Copyright page; Dedication; Table of contents; Illustrations; Ouverture; Remerciements; 1. De saint espace à sot espace: Fête des fous, miroir de la farce; 2. Quelquesfous dans leur fête; 3. Bruegel: Cadre et cadré de la farce; 4. Molière: Quatrième dimension de la farce; Notes; Bibliographie; Index nominum et rerum

Summary: Establishing the notion of reasonable foolishness and foolish reason as a generic principle of the old French farce, Boucquey's study examines the interdependencies among four key mimetic phenomena: the demented universe of the Feast of Fools festival, the genre of the farce, Bruegel's representation of the world, and the euphoric comedies of triumphant madness created by Moliere. This reinterpretation of French farce according to the principle of a topsy-turvy world reveals the link of madness that unites the four modes of production studied, from textual linearity, through representational s.

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Establishing the notion of reasonable foolishness and foolish reason as a generic principle of the old French farce, Boucquey's study examines the interdependencies among four key mimetic phenomena: the demented universe of the Feast of Fools festival, the genre of the farce, Bruegel's representation of the world, and the euphoric comedies of triumphant madness created by Moliere. This reinterpretation of French farce according to the principle of a topsy-turvy world reveals the link of madness that unites the four modes of production studied, from textual linearity, through representational s.

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