Amazon cover image
Image from Amazon.com

Music and globalization : critical encounters / edited by Bob W. White.

Contributor(s): Material type: TextTextSeries: Tracking globalizationPublication details: Bloomington : Indiana University Press, ©2012.Description: 1 online resource (viii, 233 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0253005418
  • 9780253005410
Subject(s): Genre/Form: Additional physical formats: Print version:: Music and globalization.DDC classification:
  • 780.9 23
LOC classification:
  • ML3545 .M89 2012
Online resources:
Contents:
The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin -- My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld -- A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward -- Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael José de Menezes Bastos -- "Beautiful blue" : Rarámuri violin music in a cross-border space / Daniel Noveck -- World music producers and the cuban frontier / Ariana Hernandez-Reguant -- Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Richard M. Shain -- Slave ship on the infosea : contaminating the system of circulation / Barbara Browning -- World music of today / Timothy D. Taylor -- The promise of world music : strategies for non-essentialist listening / Bob W. White.
Summary: "World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.
Item type:
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin -- My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld -- A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward -- Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael José de Menezes Bastos -- "Beautiful blue" : Rarámuri violin music in a cross-border space / Daniel Noveck -- World music producers and the cuban frontier / Ariana Hernandez-Reguant -- Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Richard M. Shain -- Slave ship on the infosea : contaminating the system of circulation / Barbara Browning -- World music of today / Timothy D. Taylor -- The promise of world music : strategies for non-essentialist listening / Bob W. White.

"World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.

O.P. Jindal Global University, Sonepat-Narela Road, Sonepat, Haryana (India) - 131001

Send your feedback to glus@jgu.edu.in

Hosted, Implemented & Customized by: BestBookBuddies   |   Maintained by: Global Library