Reading the Ruins : Modernism, Bombsites and British Culture.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781139137959
- 1139137956
- 1283316781
- 9781283316781
- 9781139145282
- 1139145282
- 9780511920813
- 0511920814
- 1139140213
- 9781139140218
- 1107222095
- 9781107222090
- 1139139509
- 9781139139502
- 9786613316783
- 6613316784
- 1139141082
- 9781139141086
- 1139141961
- 9781139141963
- English literature -- 20th century -- History and criticism
- Great Britain -- Civilization -- 20th century
- Modernism (Literature) -- Great Britain
- World War, 1939-1945 -- Great Britain -- Literature and the war
- World War, 1939-1945 -- Social aspects -- Great Britain
- Littérature anglaise -- 20e siècle -- Histoire et critique
- Grande-Bretagne -- Civilisation -- 20e siècle
- Modernisme (Littérature) -- Grande-Bretagne
- Guerre mondiale, 1939-1945 -- Grande-Bretagne -- Littérature et guerre
- Guerre mondiale, 1939-1945 -- Aspect social -- Grande-Bretagne
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- Civilization
- English literature
- Modernism (Literature)
- Social aspects
- War and literature
- Great Britain
- World War (1939-1945)
- 1900-1999
- 820.9 820.9/0091 820.90091
- PR888.W66 M45 2011
- LIT004120
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Cover; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Imagining destruction; Beautiful bomb-laden Zeppelins; The interwar imagination; Unrest in the wake of bombs; Extrapolation of weapons; Lessons of Spain; Depicting casualties; 1939 and all that; Episodic losses of perspective; Targets and narrative; A bomb casualty or war avenger?; Bone as bomb victim; Chapter 2 A metropolis aflame; William Sansom and disorientation; Time was away; Allegory and physicality; Bodies, various; Louis MacNeice and complicity; Trolls in the smoke.
Aesthetics of destructionHenry Green: fire and the limits of description; Framing fire; Dreading forwards; Telling stories; Elegiac possibilities; Elegies from fire; Encounters in the flames; Ash and paper; Ritual and redemption?; Fire and paper; Chapter 3 Surrealism and the bombsites; Pre-war surrealism in Britain; The organicist turn; Wartime is 'surreal'; Turning fragments into structures: David Gascoyne and J.F. Hendry; Zero hour and no man's land; Back to the bombsites; Apocalyptics; J.F. Hendry; From Guernica to London; The limits of a dialectic.
Organic sensations: Graham Sutherland and Lynette RobertsSwansea raid; Sensations from the body and the air; War pictures; A war artist; Captions and anger: Lee Miller and Humphrey Jennings; Grim glory; Anger and the human form; Jennings in the 1930s; London Can Take it; Decodable patriotism; Ballardian legacies; Chapter 4 The haunted city; Graham Greene and the idea of haunting; Ruins and amnesia; Ghosting treason: damaged buildings; David Jones: making your own archaeology; Jones and the ghosts of wars; Traces, textures and expansiveness; Ghosts in the footnotes; Acts of recovery.
Bowen's ghostsThe territory of the city; Shallow, cratered, extinct; Buried memories; Chapter 5 The new London jungle; Precursors and portents; Mundanity and willowherb; Rose Macaulay's history of fears; London as a green world; Greenery; Priests in the foliage; Fireweed rampant; What the plants hide; War games; Shapes of the past; Literary salvage; The modernist fragment displayed; Postwar pleasures and fears; Triffids in the unofficial countryside; The environmental turn, postmodernity, and back to the bombsite; Coda; Notes; Bibliography; Index.
This vivid reading of wartime culture investigates the significance of London's bombsites by bringing together famous and forgotten authors.
Print version record.
Includes bibliographical references and index.
English.
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