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Compelled to write : alternative rhetoric in theory and practice / David L. Wallace.

By: Material type: TextTextPublication details: Logan : Utah State University Press, 2011.Description: 1 online resource (255 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780874218138
  • 0874218136
  • 1283250187
  • 9781283250184
  • 9786613250186
  • 661325018X
Subject(s): Genre/Form: Additional physical formats: Print version:: Compelled to write.DDC classification:
  • 401/.41 22
LOC classification:
  • P302 .W35 2011eb
Online resources:
Contents:
Acknowledgments; 1: Defining Alternative Rhetoric: Embracing Intersectionality and Owning Opacity; Interchapter: Piano Lessons; 2: Sarah Grimké: Breaking the Bonds of Womanhood; Interchapter: Jumper Cables and Double Consciousness as a Habit of Mind; 3: Frederick Douglass: Taking an Ell to Claim Humanity; Interchapter: Pickles; 4: Gloria Anzaldúa: Borderlands and Fences; Literacy and Rhetoric; Interchapter: The Light of the World; 5: David Sedaris: Expanding Epideictic-A Rhetoric of Indirection; Interchapter: Day Four in Paris; 6: Alternative Rhetoric and Marked Writing.
Action note:
  • digitized 2011 HathiTrust Digital Library committed to preserve
Summary: David Wallace argues that any understanding of writing studies must include the conception of discourse as an embodied force with real consequences for real people. Informed in important ways by queer theory, Wallace calls to account users of dominant discourses and at the same time articulates a theory base from which to interpret "alternative rhetoric." To examine the practice of writing from varied margins of society, Compelled to Write offers careful readings of four exemplar American writers, each of whom felt compelled within their own time and place to write in response to systemic injustices in American society. Sarah Grimké, a privileged white woman advocating for abolition, is forced to defend her right to speak as a woman; Frederick Douglass begins his public career almost as a curiosity (the articulate ex-slave) and ends it as one of the most important rhetors in American history; Gloria Anzaldúa writes not only in multiple languages and dialects but from marginalized positions related to gender, race, class, sexual identity, and physical abled-ness; David Sedaris uses his privileged position as a middle-class white male humorist to speak unabashedly of his sexuality, his addictions, and obsessive-compulsive personality disorder. Through these writers, Wallace explores a range of strategies that comprise alternative rhetorical practice, and demonstrates how such practice is inflected by social constraints on rhetorical agency and by how writers employ alternative discourses to resist those constraints. Grounding and personalizing Compelled to Write with rich material from his own teaching and his own experience, Wallace considers a number of implications for teachers of writing
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Includes bibliographical references and index.

David Wallace argues that any understanding of writing studies must include the conception of discourse as an embodied force with real consequences for real people. Informed in important ways by queer theory, Wallace calls to account users of dominant discourses and at the same time articulates a theory base from which to interpret "alternative rhetoric." To examine the practice of writing from varied margins of society, Compelled to Write offers careful readings of four exemplar American writers, each of whom felt compelled within their own time and place to write in response to systemic injustices in American society. Sarah Grimké, a privileged white woman advocating for abolition, is forced to defend her right to speak as a woman; Frederick Douglass begins his public career almost as a curiosity (the articulate ex-slave) and ends it as one of the most important rhetors in American history; Gloria Anzaldúa writes not only in multiple languages and dialects but from marginalized positions related to gender, race, class, sexual identity, and physical abled-ness; David Sedaris uses his privileged position as a middle-class white male humorist to speak unabashedly of his sexuality, his addictions, and obsessive-compulsive personality disorder. Through these writers, Wallace explores a range of strategies that comprise alternative rhetorical practice, and demonstrates how such practice is inflected by social constraints on rhetorical agency and by how writers employ alternative discourses to resist those constraints. Grounding and personalizing Compelled to Write with rich material from his own teaching and his own experience, Wallace considers a number of implications for teachers of writing

Print version record.

Acknowledgments; 1: Defining Alternative Rhetoric: Embracing Intersectionality and Owning Opacity; Interchapter: Piano Lessons; 2: Sarah Grimké: Breaking the Bonds of Womanhood; Interchapter: Jumper Cables and Double Consciousness as a Habit of Mind; 3: Frederick Douglass: Taking an Ell to Claim Humanity; Interchapter: Pickles; 4: Gloria Anzaldúa: Borderlands and Fences; Literacy and Rhetoric; Interchapter: The Light of the World; 5: David Sedaris: Expanding Epideictic-A Rhetoric of Indirection; Interchapter: Day Four in Paris; 6: Alternative Rhetoric and Marked Writing.

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL

English.

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