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New impressions of Africa = Nouvelles impressions d'Afrique / Raymond Roussel ; illustrations by Henri-A. Zo ; translated with an introduction and notes by Mark Ford.

By: Contributor(s): Material type: TextTextLanguage: English, French Original language: French Series: Facing pagesPublication details: Princeton, N.J. : Princeton University Press, ©2011.Description: 1 online resource (251 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781400838226
  • 1400838223
Other title:
  • Nouvelles impressions d'Afrique
Uniform titles:
  • Nouvelles impressions d'Afrique. English & French
Subject(s): Genre/Form: Additional physical formats: Print version:: New impressions of Africa.DDC classification:
  • 841/.912 22
LOC classification:
  • PQ2635.O96168 N613 2011eb
Online resources:
Contents:
Cover; Title; Copyright; Contents; Introduction; CANTO I; CANTO II; CANTO III; CANTO IV.
Summary: Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau
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French with English translation on facing pages.

Print version record.

Cover; Title; Copyright; Contents; Introduction; CANTO I; CANTO II; CANTO III; CANTO IV.

Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau

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