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Masquerade and postsocialism : ritual and cultural dispossession in Bulgaria / Gerald W. Creed.

By: Material type: TextTextSeries: New anthropologies of EuropePublication details: Bloomington : Indiana University Press, ©2011.Description: 1 online resource (xi, 254 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780253005021
  • 0253005027
  • 1283101777
  • 9781283101776
Subject(s): Genre/Form: Additional physical formats: Print version:: Masquerade and postsocialism.DDC classification:
  • 306.409499 22
LOC classification:
  • GN585.B9 C74 2011eb
Online resources:
Contents:
Cover; Contents; Acknowledgments; Introduction: Cultural Dispossession; 1. A Mumming Season; 2. Gender and Sexuality; 3. Civil Society and Democracy; 4. Autonomy and Community; 5. Ethnicity and Nationalism; Conclusion: Modernity in Drag; Notes; Works Cited; Index.
Summary: Gerald W. Creed analyzes contemporary mumming rituals in rural Bulgaria for what they reveal about life after socialism -- and the current state of postsocialist studies. Mumming rituals have flourished in the post-Soviet era. Elaborately costumed dancers go from house to house demanding sustenance and bestowing blessings. Through the analysis of these rites, Creed critiques key themes in postsocialist studies, including understandings of civil society and democracy, gender and sexuality, autonomy and com.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

Cover; Contents; Acknowledgments; Introduction: Cultural Dispossession; 1. A Mumming Season; 2. Gender and Sexuality; 3. Civil Society and Democracy; 4. Autonomy and Community; 5. Ethnicity and Nationalism; Conclusion: Modernity in Drag; Notes; Works Cited; Index.

Gerald W. Creed analyzes contemporary mumming rituals in rural Bulgaria for what they reveal about life after socialism -- and the current state of postsocialist studies. Mumming rituals have flourished in the post-Soviet era. Elaborately costumed dancers go from house to house demanding sustenance and bestowing blessings. Through the analysis of these rites, Creed critiques key themes in postsocialist studies, including understandings of civil society and democracy, gender and sexuality, autonomy and com.

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