Hugo Riemann and the birth of modern musical thought / Alexander Rehding.
Material type:
TextSeries: New perspectives in music history and criticism ; 11.Publication details: Cambridge ; New York : Cambridge University Press, ©2003.Description: 1 online resource (x, 218 pages) : illustrationsContent type: - text
- computer
- online resource
- 9780511481369
- 0511481365
- 0511061781
- 9780511061783
- 0511070241
- 9780511070242
- 1107136350
- 9781107136359
- 0511179286
- 9780511179280
- 1139148885
- 9781139148887
- 0511055455
- 9780511055454
- 0511306318
- 9780511306310
- Riemann, Hugo, 1849-1919 -- Criticism and interpretation
- Riemann, Hugo, 1849-1919 -- Critique et inteprétation
- Riemann, Hugo, 1849-1919
- Riemann, Hugo 1849-1919
- Riemann, Hugo
- Music theory -- History
- Musicology -- History
- Théorie musicale -- Histoire
- Musicologie -- Histoire
- MUSIC -- Individual Composer & Musician
- Music theory
- Musicology
- Musiktheorie
- Muziektheorie
- Humaniora Musik
- 780/.92 22
- ML423.R5 R44 2003eb
- 24.79
- LP 65380
- 9,2
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 199-211) and index.
Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'As if' -- Musical syntax, nationhood and universality -- Beethoven's deafness, exotic harmonies and tone imaginations.
By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German.
Print version record.
English.
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