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The Middle Eastern influence on late medieval Italian dances : origins of the 29987 istampittas / Michele Temple.

By: Material type: TextTextSeries: Studies in dance ; v. 2.Publication details: Lewiston, N.Y. : Edwin Mellen Press, ©2001.Description: 1 online resource (xi, 153 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780773421608
  • 0773421602
  • 0773474285
  • 9780773474284
Subject(s): Genre/Form: Additional physical formats: Print version:: Middle Eastern influence on late medieval Italian dances.DDC classification:
  • 784.18/82 22
LOC classification:
  • ML180 .T46 2001
Online resources:
Contents:
pt. 1. History -- Introduction: Brief comments on the istampittas and the role of Arabic culture in European history -- I. Medieval Instrumental Music: an overview of European late medieval music with an emphasis on the secular and the surviving sources -- II. Instrumental Music in Trecento Italy -- pt. 2. The Music -- III. The 'Lo' Manuscript: the physical work and its contents -- IV. The 'Lo' Dances: the dances with emphasis on the istampittas are compared to contemporary European works -- V. The Istampittas -- An Analysis -- VI. The 'Lo' Istampittas as Arabic Artifacts: Arabic musical traits, specifically ornamentation, are examined with an eye to the istampittas.
Summary: Annotation. This work focuses on eight of the dances, the 'istampittas, ' linked etymologically to the 'estampie, ' a French dance, whose origins are here examined with an eye toward Italian and French music and civilization, as well as the music and society of the Arabs.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 129-144) and index.

Print version record.

pt. 1. History -- Introduction: Brief comments on the istampittas and the role of Arabic culture in European history -- I. Medieval Instrumental Music: an overview of European late medieval music with an emphasis on the secular and the surviving sources -- II. Instrumental Music in Trecento Italy -- pt. 2. The Music -- III. The 'Lo' Manuscript: the physical work and its contents -- IV. The 'Lo' Dances: the dances with emphasis on the istampittas are compared to contemporary European works -- V. The Istampittas -- An Analysis -- VI. The 'Lo' Istampittas as Arabic Artifacts: Arabic musical traits, specifically ornamentation, are examined with an eye to the istampittas.

Annotation. This work focuses on eight of the dances, the 'istampittas, ' linked etymologically to the 'estampie, ' a French dance, whose origins are here examined with an eye toward Italian and French music and civilization, as well as the music and society of the Arabs.

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