Staging the savage god : the grotesque in performance / Ralf Remshardt.

By:

Remshardt, Ralf, 1959-

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780809388783
0809388782

Subject(s): Genre/Form:

Additional physical formats: Print version:: Staging the savage god.DDC classification:

809.2/915 22

LOC classification:

PN1650.G7 R46 2004

Other classification:

24.13
PER011020 | PER011000

Online resources:

Click here to access online

Contents:

Cover; Title Page; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction: Approaching the Grotesque; 1. The Sense of Disorder; 2. Theories; 3. Classical Grotesque; 4. Kunstfiguren; Conclusion: The Paradoxes ofa Grotesque Theatre; Notes; Bibliography; Index; About the Author; Back Cover.

Action note:

digitized 2010 HathiTrust Digital Library committed to preserve

Summary: "This book delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. It also presents a general theory of the grotesque"-- Provided by publisher

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 275-289) and index.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Print version record.

"This book delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. It also presents a general theory of the grotesque"-- Provided by publisher

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