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The theory and practice of vocal psychotherapy : songs of the self / Diane Austin.

By: Material type: TextTextPublication details: London ; Philadelphia : Jessica Kingsley Publishers, ©2008.Description: 1 online resource (224 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781846429415
  • 1846429412
  • 6612297697
  • 9786612297694
Subject(s): Genre/Form: Additional physical formats: Print version:: Theory and practice of vocal psychotherapy.DDC classification:
  • 615.8/5154 22
LOC classification:
  • ML3920 .A97 2008eb
NLM classification:
  • 2009 F-388
  • WM 450.5.M8
Other classification:
  • 77.74
Online resources:
Contents:
pt. I. Theoretical foundations of vocal psychotherapy -- 1. The voice -- 2. Contributions from Jungian psychology -- 3. Contributions from object relations theory -- 4. Contributions from trauma theory -- 5. Contributions from intersubjectivity -- 6. The primacy of Countertransference -- pt. II. Clinical practice of vocal psychotherapy -- 7. Beginning a practice -- Resistance in vocal psychotherapy -- 9. Vocal interventions -- 10. Vocal holding techniques -- 11. Free associative singing -- 12. Songs -- 13. The therapeutic process : connection.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: "The voice is the most powerful and widely used instrument in music therapy. This book demonstrates the enormous possibilities for personal change and growth using a new, voice-based model of psychotherapy where the sounds of the voice are expressed, listened to and interpreted in order to access unconscious aspects of the self and retrieve memories, images and feelings from the past. Combining theory with practice, the book explains the foundations of vocal psychotherapy and goes on to explore its usage in clinical practice and the various techniques involved. The book integrates important concepts from depth psychology such as regression, reenactment and working with transference and counter-transference with the practice of vocal music therapy. Drawing on over twenty years of research, the author uses case studies to illustrate specific vocal interventions, including improvisation techniques such as vocal holding, free associative singing and psychodramatic singing."--Publisher's description.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 214-217) and indexes.

Print version record.

pt. I. Theoretical foundations of vocal psychotherapy -- 1. The voice -- 2. Contributions from Jungian psychology -- 3. Contributions from object relations theory -- 4. Contributions from trauma theory -- 5. Contributions from intersubjectivity -- 6. The primacy of Countertransference -- pt. II. Clinical practice of vocal psychotherapy -- 7. Beginning a practice -- Resistance in vocal psychotherapy -- 9. Vocal interventions -- 10. Vocal holding techniques -- 11. Free associative singing -- 12. Songs -- 13. The therapeutic process : connection.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

"The voice is the most powerful and widely used instrument in music therapy. This book demonstrates the enormous possibilities for personal change and growth using a new, voice-based model of psychotherapy where the sounds of the voice are expressed, listened to and interpreted in order to access unconscious aspects of the self and retrieve memories, images and feelings from the past. Combining theory with practice, the book explains the foundations of vocal psychotherapy and goes on to explore its usage in clinical practice and the various techniques involved. The book integrates important concepts from depth psychology such as regression, reenactment and working with transference and counter-transference with the practice of vocal music therapy. Drawing on over twenty years of research, the author uses case studies to illustrate specific vocal interventions, including improvisation techniques such as vocal holding, free associative singing and psychodramatic singing."--Publisher's description.

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