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Holy brotherhood : Romani music in a Hungarian Pentecostal church / Barbara Rose Lange.

By: Material type: TextTextSeries: OUP E-BooksPublication details: Oxford : Oxford University Press, 2003.Description: 1 online resource (xiii, 205 pages) : illustrations, music, portraitsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780195343946
  • 0195343948
  • 1280834609
  • 9781280834608
  • 9786610834600
  • 6610834601
  • 9780195137231
  • 019513723X
Subject(s): Genre/Form: Additional physical formats: Print version:: Holy brotherhood.DDC classification:
  • 781.71/89 21
LOC classification:
  • ML3151.H9 L36 2003eb
Online resources:
Contents:
Contents; Note on Textual and Musical Transcriptions; Pronunciation Guide and Orthography for the Hungarian and Romani Languages; List of Abbreviations; Introduction; 1. The Isten Gyülekezet in Hungarian Society; 2. Instrumental Music, Charisma, and Church Leadership; 3. Mediating Moralities: An Ethnographer's Interpretation; 4. The Holy Spirit and Song Composition; 5. Roma and the hívö énekek; 6. The Politics of Nineteenth-Century Gospel Hymns; 7. Stigma and Stereotype; Conclusion; Appendix: Recordings, Interviews, and Personal Communications; Glossary; Notes; Bibliography; Index.
Summary: Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church is a musical ethnography of a religious community. After the end of socialism, different ethnic groups in Hungary harbored antagonism toward one another. In one Pentecostal church in Pecs, Hungary, however, both Hungarians and Roma (Gypsies) worshipped and made music together. Three musical repertoires coexisted, each with a separate historical background and complex social meanings: Romani religious song; nineteenth-century gospel hymns originally from the United States; and contemporary Christian pop from the United States. Chu.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 187-198) and index.

Print version record.

Contents; Note on Textual and Musical Transcriptions; Pronunciation Guide and Orthography for the Hungarian and Romani Languages; List of Abbreviations; Introduction; 1. The Isten Gyülekezet in Hungarian Society; 2. Instrumental Music, Charisma, and Church Leadership; 3. Mediating Moralities: An Ethnographer's Interpretation; 4. The Holy Spirit and Song Composition; 5. Roma and the hívö énekek; 6. The Politics of Nineteenth-Century Gospel Hymns; 7. Stigma and Stereotype; Conclusion; Appendix: Recordings, Interviews, and Personal Communications; Glossary; Notes; Bibliography; Index.

Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church is a musical ethnography of a religious community. After the end of socialism, different ethnic groups in Hungary harbored antagonism toward one another. In one Pentecostal church in Pecs, Hungary, however, both Hungarians and Roma (Gypsies) worshipped and made music together. Three musical repertoires coexisted, each with a separate historical background and complex social meanings: Romani religious song; nineteenth-century gospel hymns originally from the United States; and contemporary Christian pop from the United States. Chu.

English.

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