Thomas East and music publishing in Renaissance England / Jeremy L. Smith.

By:

Smith, Jeremy L, 1962-

Material type: Text

TextSeries: OUP E-BooksPublication details: Oxford : Oxford University Press, 2003.Description: 1 online resource (233 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1423784839
9781423784838
1280531053
9781280531057
9786610531059
6610531056
9780195139051
0195139054

Subject(s): Genre/Form:

Additional physical formats: Print version:: Thomas East and music publishing in Renaissance England.DDC classification:

070.5/794/092 21

LOC classification:

ML427.E27 S65 2003eb

Online resources:

Click here to access online

Summary: In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Print version record.

In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.

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