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The Papin sisters / Rachel Edwards and Keith Reader.

By: Contributor(s): Material type: TextTextSeries: Oxford studies in modern European culturePublication details: Oxford : Oxford University Press, 2001.Description: 1 online resource (134 pages) : portraitsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1423785789
  • 9781423785781
  • 1280444878
  • 9781280444876
  • 9786610444878
  • 6610444870
  • 0191541699
  • 9780191541698
Subject(s): Genre/Form: Additional physical formats: Print version:: Papin sisters.DDC classification:
  • 364.15/23/094417 21
LOC classification:
  • HV6535.F7 L453 2001eb
Other classification:
  • 15.70
Online resources:
Contents:
1. The Facts of the Case -- 2. Mirrors, Fusions, and Splittings: The Papins, the fait divers, and the Psychoanalysts -- 3. Literary Reproductions -- 4. Cinematic Reproductions.
Summary: The 1933 killing by the Papin sisters of their mistress and her daughter was an act of unexampled violence by women against women, whose repercussions have been felt in French culture ever since. It received wide journalistic coverage at the time, and subsequently prominent literary figures such as Jean-Paul Sartre, Simone de Beauvoir and Jean Genet have dealt with the case, which has also formed the basis of a stage play (by Wendy Kesselmann) and films by Nico Papatakis, Nancy Meckler and Claude Chabrol. The case casts fascinating light on French provincial life between the wars, the role of women (especially unmarried ones) in French society, and French views of the criminal outsider. Its impact on psychoanalytic discourse, through the work first of Jacques Lacan, then of Francis Dupre and Marie-Magdeleine Lessana, has also been considerable, notably in its contribution to the development of the key notion of the mirror-phase. The almost obsessive recurrence of the case makes of it a fascinating prism through which to examine multiple aspects of recent French culture.
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Includes bibliographical references and index.

Print version record.

The 1933 killing by the Papin sisters of their mistress and her daughter was an act of unexampled violence by women against women, whose repercussions have been felt in French culture ever since. It received wide journalistic coverage at the time, and subsequently prominent literary figures such as Jean-Paul Sartre, Simone de Beauvoir and Jean Genet have dealt with the case, which has also formed the basis of a stage play (by Wendy Kesselmann) and films by Nico Papatakis, Nancy Meckler and Claude Chabrol. The case casts fascinating light on French provincial life between the wars, the role of women (especially unmarried ones) in French society, and French views of the criminal outsider. Its impact on psychoanalytic discourse, through the work first of Jacques Lacan, then of Francis Dupre and Marie-Magdeleine Lessana, has also been considerable, notably in its contribution to the development of the key notion of the mirror-phase. The almost obsessive recurrence of the case makes of it a fascinating prism through which to examine multiple aspects of recent French culture.

1. The Facts of the Case -- 2. Mirrors, Fusions, and Splittings: The Papins, the fait divers, and the Psychoanalysts -- 3. Literary Reproductions -- 4. Cinematic Reproductions.

English.

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