'Paper-contestations' and textual communities in England, 1640-1675 / Elizabeth Sauer.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781442678248
- 1442678240
- Literature and society -- England -- History -- 17th century
- Politics and literature -- England -- History -- 17th century
- Books and reading -- England -- History -- 17th century
- England -- Intellectual life -- 17th century
- Littérature et société -- Angleterre -- Histoire -- 17e siècle
- Politique et littérature -- Angleterre -- Histoire -- 17e siècle
- Livres et lecture -- Angleterre -- Histoire -- 17e siècle
- Angleterre -- Vie intellectuelle -- 17e siècle
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- LITERARY CRITICISM -- Books & Reading
- Books and reading
- Intellectual life
- Literature and society
- Politics and literature
- England
- Buchmarkt
- Lesekultur
- Politischer Konflikt
- Religiöser Konflikt
- England
- Letterkunde
- Boekenproductie
- Sociale aspecten
- Politieke aspecten
- 1600-1699
- Geschichte 1640-1675
- 820.9/355
- PR431 .S39 2005eb
- 06.21
- 18.05
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 169-199) and index.
Print version record.
1. 'Reader, here you'l plainly see judgement perverted' -- 2. The trials of Strafford and Laud in England's 'sad theater' -- 3. The 'stage-work' of Charles I -- 4. 'Yet we may print the errors of the age' : tyranny on trial -- 5. Trials of authorship and dramas of dissent -- Epilogue -- 'beyond the fifth act' : Milton and Dryden on the restoration stage.
"In conjunction with an evolving print culture, seventeenth-century England experienced a rise of political instability and religious dissent, the closing of the theatres, and the emergence of a middle class.
Elizabeth Sauer examines how this played out in the nation's book and print industry with an emphasis on performative writings, their materiality, reception, and their extra-judicial function. 'Paper-contestations' and Textual Communities in England, 1640-1675 challenges traditional readings of literary history, offers new insights into drama and its transgression of boundaries, and proposes a fresh approach to the politics of consensus and contestation that animated seventeenth-century culture and that distinguishes current scholarly debates about this period."--Jacket.
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