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The cultural work of empire : the seven years' war and the imagining of the Shandean State / Carol Watts.

By: Material type: TextTextSeries: UPSO - Edinburgh University Press E-BooksPublication details: Edinburgh : Edinburgh University Press, ©2007.Description: 1 online resource (ix, 335 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780748631223
  • 0748631224
  • 9780748671717
  • 0748671714
  • 1281251976
  • 9781281251978
  • 9786611251970
  • 6611251979
Subject(s): Genre/Form: Additional physical formats: Print version:: Cultural work of empire.DDC classification:
  • 823.6 22
LOC classification:
  • PR3716 .W38 2007eb
Other classification:
  • 15.70
  • 18.05
  • HK 3095
  • G:gb S:mg Z:33
  • G:gb S:pg Z:33
  • G:gb S:ig Z:33
Online resources:
Contents:
Introduction : the cultural work of empire -- Lunacy in the cosmopolis (1759) : expansion and imperial recoil -- Patriot games : military masculinity and the recompense of virtue -- Pricksongs in gotham : or, the sexual oeconomy of state imagining -- Friendship, slavery and the politics of pity, including a visit from Phyllis Wheatley -- Women's time and work-discipline : or, the secret history of 'Poor Maria' -- 'Bramin, Bramine' : Sterne, Eliza Draper and the passage to India -- Concluding along Shandean lines.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: This book argues that the Seven Years' War (1756-63) produced an intense historical consciousness within British cultural life regarding the boundaries of belonging to community, family and nation. Global warfare prompts a radical re-imagining of the state and the subjectivities of those who inhabit it. Laurence Sterne's distinctive writing provides a remarkable route through the transformations of mid-eighteenth-century British culture. The risks of war generate unexpected freedoms and crises in the making of domestic imperial subjects, which will continue to reverberate in anti-slavery struggles and colonial conflict from America to India. The book concentrates on the period from the 1750s to the 1770s. It explores the work of Johnson, Goldsmith, Walpole, Burke, Scott, Wheatley, Sancho, Smollett, Rousseau, Collier, Smith and Wollstonecraft alongside Sterne's narratives. It incorporates debates among moral philosophers and philanthropists, examines political tracts, poetry and grammar exercises, and paintings by Kauffman, Hayman, and Wright of Derby, tracking the investments in, and resistances to, the cultural work of empire. Key Features Topical in its focus on the making of 'modern' subjectivity during the first 'global war' Path-breaking in advancing our understanding of the cultural history of eighteenth-century Britain Timely in its combination of new historical research with a critical engagement with debates in postcolonial and subaltern studies Original in its account of the literature of the Seven Years' War and its outstanding analysis of the writing of Laurence Sterne
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Includes bibliographical references and index.

Introduction : the cultural work of empire -- Lunacy in the cosmopolis (1759) : expansion and imperial recoil -- Patriot games : military masculinity and the recompense of virtue -- Pricksongs in gotham : or, the sexual oeconomy of state imagining -- Friendship, slavery and the politics of pity, including a visit from Phyllis Wheatley -- Women's time and work-discipline : or, the secret history of 'Poor Maria' -- 'Bramin, Bramine' : Sterne, Eliza Draper and the passage to India -- Concluding along Shandean lines.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

English.

This book argues that the Seven Years' War (1756-63) produced an intense historical consciousness within British cultural life regarding the boundaries of belonging to community, family and nation. Global warfare prompts a radical re-imagining of the state and the subjectivities of those who inhabit it. Laurence Sterne's distinctive writing provides a remarkable route through the transformations of mid-eighteenth-century British culture. The risks of war generate unexpected freedoms and crises in the making of domestic imperial subjects, which will continue to reverberate in anti-slavery struggles and colonial conflict from America to India. The book concentrates on the period from the 1750s to the 1770s. It explores the work of Johnson, Goldsmith, Walpole, Burke, Scott, Wheatley, Sancho, Smollett, Rousseau, Collier, Smith and Wollstonecraft alongside Sterne's narratives. It incorporates debates among moral philosophers and philanthropists, examines political tracts, poetry and grammar exercises, and paintings by Kauffman, Hayman, and Wright of Derby, tracking the investments in, and resistances to, the cultural work of empire. Key Features Topical in its focus on the making of 'modern' subjectivity during the first 'global war' Path-breaking in advancing our understanding of the cultural history of eighteenth-century Britain Timely in its combination of new historical research with a critical engagement with debates in postcolonial and subaltern studies Original in its account of the literature of the Seven Years' War and its outstanding analysis of the writing of Laurence Sterne

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