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Classical Greek theatre : new views of an old subject / Clifford Ashby.

By: Material type: TextTextSeries: Studies in theatre history and culturePublication details: Iowa City, Iowa : University of Iowa Press, ©1999.Description: 1 online resource (xix, 191 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1587292688
  • 9781587292682
Other title:
  • Classical Greek theater
Subject(s): Genre/Form: Additional physical formats: Print version:: Classical Greek theatre.DDC classification:
  • 792/.0938 21
LOC classification:
  • PA3201 .A79 1998eb
Other classification:
  • 24.06
Online resources:
Contents:
Acknowledgments; Preface; 1. The Limits of Evidence I: The Writings; 2. The Limits of Evidence II: Physical Remains; 3. The Shape of the Orchestra: A History and Critique; 4. Where Was the Altar?; 5. The Scene House: The Dithyramb, Found Space, and the "Royal" Door; 6. Stage Machinery; 7. The Orientation of Greek Theatres; 8. Dawn Performances: Three Days in a Row?; 9. Ramifications of the Three-Actor Rule; 10. Validation by Authority: Margarete Bieber's Comparisons of Hellenistic and Roman Theatres; 11. Validation by Repetition: The Menander Reliefs.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby.
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Includes bibliographical references (pages 181-186) and index.

Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby.

Acknowledgments; Preface; 1. The Limits of Evidence I: The Writings; 2. The Limits of Evidence II: Physical Remains; 3. The Shape of the Orchestra: A History and Critique; 4. Where Was the Altar?; 5. The Scene House: The Dithyramb, Found Space, and the "Royal" Door; 6. Stage Machinery; 7. The Orientation of Greek Theatres; 8. Dawn Performances: Three Days in a Row?; 9. Ramifications of the Three-Actor Rule; 10. Validation by Authority: Margarete Bieber's Comparisons of Hellenistic and Roman Theatres; 11. Validation by Repetition: The Menander Reliefs.

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

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