Film production theory / Jean-Pierre Geuens.

By:

Geuens, Jean Pierre

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

0585316341
9780585316345
0791492834
9780791492833

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Film production theory.DDC classification:

791.43/0232 21

LOC classification:

PN1995.9.P7 .G437 2000

Online resources:

Click here to access online

Contents:

Cinema: the state of the art -- Art/entertainment -- The film school -- Writing -- Staging -- Lighting -- The frame -- Sound -- Editing -- Envoi.

Review: "Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses."--Print version book jacket.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 261-299) and index.

Cinema: the state of the art -- Art/entertainment -- The film school -- Writing -- Staging -- Lighting -- The frame -- Sound -- Editing -- Envoi.

"Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses."--Print version book jacket.