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Visual analogy : consciousness as the art of connecting / Barbara Maria Stafford.

By: Material type: TextTextCopyright date: ©1999Description: 1 online resource (xvii, 219 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780262284196
  • 0262284197
  • 0585124000
  • 9780585124001
  • 9780262194211
  • 026219421X
  • 9780262692670
  • 0262692678
Subject(s): Genre/Form: Additional physical formats: Print version:: Visual analogy.DDC classification:
  • 169 21
LOC classification:
  • BD190 .S78 1999eb
Online resources:
Contents:
List of Illustrations -- Preface -- Preview: The Game of Back and Forth -- 1. Postmodernism and the Annihilation of Resemblance -- 2. Figures of Reconciliation -- 3. The Magic of Amorous Attraction -- 4. Recombinancy: Binding the Computational "New Mind" to the Combinatorial "Old Mind" -- Postscript: Beyond Duality: From Adepts to Agents -- Notes -- Index.
Summary: A groundbreaking book exploring the discovery of sameness in otherness.Recuperating a topic once central to philosophy, theology, rhetoric, and aesthetics, this groundbreaking book explores the discovery of sameness in otherness. Analogy poses an intriguingly ancient and modern conundrum. How, in the face of cultural diversity, can a unique someone or something be perceived as like what it is not? This book is for anyone puzzled by why today, as Barbara Maria Stafford claims, "we possess no language for talking about resemblance, only an exaggerated awareness of difference." Well-designed images, Stafford argues, reveal the mind's intuitive leaps to connect known with unknown experience.The first of four wide-ranging chapters paints a challenging overview of several pressing contemporary issues. Cloning, legal controversies about social inequity, identity politics, electronic copying, and the mimicry of virtual reality expose the need for a nuanced theory of similitude. The second examines the historical tug-of-war between analogy and allegory, or disanalogy. Stafford provocatively suggests that, since the Romantic Era, we have been living in polarizingly allegorical times. The third roots this divisiveness within the momentous shift from a magical universe, modeled on sexual bonds, to an engineered world built of discrete automated units. Finally, recent developments in computational brain research notwithstanding, major phenomenological questions about memory, emotion, intelligence, and awareness beckon. In the fourth chapter, Stafford intervenes in the consciousness debates to propose a humanistic cognitive science with bridging/analogy at its artful core.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 185-206) and index.

List of Illustrations -- Preface -- Preview: The Game of Back and Forth -- 1. Postmodernism and the Annihilation of Resemblance -- 2. Figures of Reconciliation -- 3. The Magic of Amorous Attraction -- 4. Recombinancy: Binding the Computational "New Mind" to the Combinatorial "Old Mind" -- Postscript: Beyond Duality: From Adepts to Agents -- Notes -- Index.

Print version record.

A groundbreaking book exploring the discovery of sameness in otherness.Recuperating a topic once central to philosophy, theology, rhetoric, and aesthetics, this groundbreaking book explores the discovery of sameness in otherness. Analogy poses an intriguingly ancient and modern conundrum. How, in the face of cultural diversity, can a unique someone or something be perceived as like what it is not? This book is for anyone puzzled by why today, as Barbara Maria Stafford claims, "we possess no language for talking about resemblance, only an exaggerated awareness of difference." Well-designed images, Stafford argues, reveal the mind's intuitive leaps to connect known with unknown experience.The first of four wide-ranging chapters paints a challenging overview of several pressing contemporary issues. Cloning, legal controversies about social inequity, identity politics, electronic copying, and the mimicry of virtual reality expose the need for a nuanced theory of similitude. The second examines the historical tug-of-war between analogy and allegory, or disanalogy. Stafford provocatively suggests that, since the Romantic Era, we have been living in polarizingly allegorical times. The third roots this divisiveness within the momentous shift from a magical universe, modeled on sexual bonds, to an engineered world built of discrete automated units. Finally, recent developments in computational brain research notwithstanding, major phenomenological questions about memory, emotion, intelligence, and awareness beckon. In the fourth chapter, Stafford intervenes in the consciousness debates to propose a humanistic cognitive science with bridging/analogy at its artful core.

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