Amazon cover image
Image from Amazon.com

Symmetry, causality, mind / Michael Leyton.

By: Material type: TextTextSeries: Bradford Books SerCopyright date: ©1992Description: 1 online resource (630 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585086303
  • 9780585086309
  • 9780262621311
  • 0262621312
  • 0262278316
  • 9780262278317
Subject(s): Genre/Form: Additional physical formats: Print version:: Symmetry, causality, mind.DDC classification:
  • 153.7/53 20
LOC classification:
  • BF468 .L487 1992eb
Online resources:
Contents:
1. Recovering process-history -- 2. Traces -- 3. Radical computational vision -- 4. Representation is explanation -- 5. Groups and symmetry -- 6. Domain-independent rules -- 7. Linguistics -- 8. Art -- 9. Political prisoners.
Summary: Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies - in perception, linguistics, art, and even political subjugation - that support these rules. Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory. Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation. Michael Leyton is a professor in the Psychology Department at Rutgers University. He is a recipient of the Presidential Young Investigatory Award for outstanding work in cognitive science.
Item type:
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

"A Bradford book."

Includes bibliographical references (pages 613-620) and index.

Print version record.

1. Recovering process-history -- 2. Traces -- 3. Radical computational vision -- 4. Representation is explanation -- 5. Groups and symmetry -- 6. Domain-independent rules -- 7. Linguistics -- 8. Art -- 9. Political prisoners.

Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies - in perception, linguistics, art, and even political subjugation - that support these rules. Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory. Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation. Michael Leyton is a professor in the Psychology Department at Rutgers University. He is a recipient of the Presidential Young Investigatory Award for outstanding work in cognitive science.

English.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.

O.P. Jindal Global University, Sonepat-Narela Road, Sonepat, Haryana (India) - 131001

Send your feedback to glus@jgu.edu.in

Hosted, Implemented & Customized by: BestBookBuddies   |   Maintained by: Global Library