Noplace like home : the literary artist and Russia's search for cultural identity / Amy C. Singleton.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 0585090599
- 9780585090597
- 1438420188
- 9781438420189
- No place like home
- Russian fiction -- 19th century -- History and criticism
- Russian fiction -- 20th century -- History and criticism
- Home in literature
- Russia (Federation) -- Civilization
- LITERARY CRITICISM -- Russian & Former Soviet Union
- Civilization
- Home in literature
- Russian fiction
- Russia (Federation)
- Literatur
- Zuhause
- Geschichte
- Zuhause Motiv
- Thuis
- Culturele identiteit
- Letterkunde
- Russisch
- Russisch
- Roman russe -- 19e siècle -- Histoire et critique
- Roman russe -- 20e siècle -- Histoire et critique
- Foyer dans la littérature
- 1800-1999
- 891.7309/355 21
- PG3096.H65 S57 1997eb
- 18.53
- 17.93
- 7,41
- KH 1320
- KH 1530
- digitized 2010 HathiTrust Digital Library committed to preserve
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 175-188) and index.
Print version record.
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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL
http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
Ch. 1. Homeward Bound: The Ambivalence of Home and Self -- Ch. 2. Space and Place: The Home and Russian Culture -- Ch. 3. Heaven and Earth: The Search for Home and Self in Gogol's Dead Souls -- Ch. 4. Eternal Return: Goncharov's Oblomov as Odyssey -- Ch. 5. Domestic Strife: Housekeeping and Culture in Zamiatin's We -- Ch. 6. Writing Home: Literature and Domesticity in Bulgakov's The Master and Margarita -- Ch. 7. A House of Cards: The Future of the Russian Writer.
Noplace Like Home uses four masterpieces of Russian literature - Nikolai Gogol's Dead Souls, Ivan Goncharov's Oblomov, Evgenii Zamiatin's We, and Mikhail Bulgakov's The Master and Margarita - to show the successes and failings in Russia's search for home and self. Interdisciplinary in spirit, Noplace Like Home introduces Russian culture for the first time to the field of "home studies," which explores human identity in terms of man's relationship with domestic space. This broad social context, together with general cultural patterns expressed in the novels, encourages readers to consider even the most current events in Russian society - where identity and stability are again key issues - in terms of "home," "homelessness," and "noplace."
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