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Romanticism, aesthetics, and nationalism / David Aram Kaiser.

By: Material type: TextTextSeries: Cambridge studies in Romanticism ; 34.Publication details: Cambridge, U.K. ; New York : Cambridge University Press, 1999.Description: 1 online resource (xiii, 154 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0511005547
  • 9780511005541
  • 9780521630009
  • 0521630002
  • 0511035608
  • 9780511035609
  • 0511117000
  • 9780511117008
  • 9780511484315
  • 0511484313
  • 1107115337
  • 9781107115330
  • 1280153490
  • 9781280153495
  • 0511309740
  • 9780511309748
  • 0511050844
  • 9780511050848
Subject(s): Genre/Form: Additional physical formats: Print version:: Romanticism, aesthetics, and nationalism.DDC classification:
  • 801/.93 21
LOC classification:
  • PN49 .K2512 1999eb
Other classification:
  • 17.83
Online resources:
Contents:
Modernity, subjectivity, liberalism, and nationalism -- The symbol and the aesthetic sphere -- Schiller's aesthetic state -- Symbol, state, and Clerisy: the aesthetic politics of Coleridge -- The best self and the private self: Matthew Arnold on culture and the state -- Aesthetic kingship and queenship: Ruskin on the state and the home -- The aesthetic and political spheres in contemporary theory: Adorno and Habermas.
Summary: This study argues that our modern conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 137-151) and index.

Modernity, subjectivity, liberalism, and nationalism -- The symbol and the aesthetic sphere -- Schiller's aesthetic state -- Symbol, state, and Clerisy: the aesthetic politics of Coleridge -- The best self and the private self: Matthew Arnold on culture and the state -- Aesthetic kingship and queenship: Ruskin on the state and the home -- The aesthetic and political spheres in contemporary theory: Adorno and Habermas.

This study argues that our modern conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation.

Print version record.

English.

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