Risk and Regulation at the Interface of Medicine and the Arts : Dangerous Currents.

By:

Bleakley, Alan (Alan Douglas) [editor.]

Contributor(s):

Material type: Text

TextPublication details: Newcastle-upon-Tyne Cambridge Scholars Publishing.Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1443893471
9781443893473

Subject(s): Genre/Form:

Additional physical formats: No titleDDC classification:

704.94961 23

LOC classification:

N8223

Online resources:

Click here to access online

Contents:

Table of Contents; Acknowledgements; Introduction; Overview; Chapter One; Part I: Selected Keynotes; Chapter Two; Chapter Three; Chapter Four; Part II: Performances; Chapter Five; Caroline Wellbery; Neville Chiavaroli; Chapter Six; Lecture Demonstration; Chapter Seven; Chapter Eight; Part III: Histories; Chapter Nine; Chapter Ten; Chapter Eleven; Part IV: For Some, Just Living is a Risk; Chapter Twelve; Chapter Thirteen; Chapter Fourteen; Chapter Fifteen; Part V: Exhibition: At the Sharp End of Bluntness; Chapter Sixteen; Sue Bleakley; David Cotterrell and Ruwanthie de Chickera

Summary: This book brings together an edited selection of presentations from the Association for Medical Humanities annual conference 2015, held at Dartington Hall, UK, that address the question: How might innovative performing arts help to develop medical education and practice? It includes papers and accounts of both keynote talks and performances, presenting cutting-edge activity, thinking and research in the medical and health humanities. The volume also offers an archive of a visual arts exhibition focused on surgical themes that ran in conjunction with the conference. An introductory chapter situa.

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This book brings together an edited selection of presentations from the Association for Medical Humanities annual conference 2015, held at Dartington Hall, UK, that address the question: How might innovative performing arts help to develop medical education and practice? It includes papers and accounts of both keynote talks and performances, presenting cutting-edge activity, thinking and research in the medical and health humanities. The volume also offers an archive of a visual arts exhibition focused on surgical themes that ran in conjunction with the conference. An introductory chapter situa.

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