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Sensing and making sense : photosensitivity and light-to-sound translations in media art / Graziele Lautenschlaeger.

By: Material type: TextTextSeries: Media studies (Transcript (Firm)) ; v. 81.Publisher: Bielefeld : Transcript Verlag, [2021]Copyright date: ©2021Description: 1 online resource (262 pages) : illustrations (some color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839453315
  • 3839453313
Subject(s): Genre/Form: DDC classification:
  • 700.903 23
LOC classification:
  • NX650.S47
Online resources:
Contents:
Frontmatter -- Contents -- Abstract -- Kurzfassung -- Acknowledgements -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Final considerations -- List of figures -- References
Summary: Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines a historical and analytical approach, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guiding criteria to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references.

Online resource; title from PDF title page (EBSCO, viewed December 22, 2020).

Frontmatter -- Contents -- Abstract -- Kurzfassung -- Acknowledgements -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Final considerations -- List of figures -- References

Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines a historical and analytical approach, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guiding criteria to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.

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