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Narrating desire : moral consolation and sentimental fiction in fifteenth-century Spain / Sol Miguel-Prendes.

By: Contributor(s): Material type: TextTextSeries: North Carolina studies in the Romance languages and literatures ; no. 317.Publisher: Chapel Hill : North Carolina Studies in the Romance Languages and Literatures, U.N.C. Department of Romance Studies, 2019Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781469651972
  • 1469651971
Subject(s): Genre/Form: Additional physical formats: Print version:: Narrating desire.DDC classification:
  • 863/.209353 23
LOC classification:
  • PQ6060 .M54 2019eb
Online resources:
Contents:
Chapter 1: The consolation of schoolmen -- Chapter 2: Recanting love -- Chapter 3: Orpheus in hell: contrafacta and novelness -- Converting desire, narrating desire.
Summary: "Narrating Desire: Moral Consolation and Sentimental Fiction in Fifteenth-Century Spain proposes a new taxonomy and conceptual frame for the controversial Iberian genre of sentimental fiction. It traces its origin to late-medieval education in rhetoric, philosophy, and medicine as the foundation for virtuous living. In establishing the genre's boundaries and cultural underpinnings, Narrating Desire emphasizes the crucial link between Eastern and Western Iberian sentimental traditions, and offers close readings of a vast array of Catalan and Castilian fictions, translations, narrative poems, letters, and doctrinal treatises: the Catalan translations of Boethius's Consolation of Philosophy, Santillana's El sueño, Bernat Metge's Lo somni, Romeu Llull's Lo despropiament d'amor, Pedro Moner's La noche and L'anima d'Oliver, Rodríguez del Padrón's Siervo libre de amor, Carrós Pardo de la Casta's Regoneixenća, Roís de Corella's Parlament and Tragèdia de Caldesa, Pedro de Portugal's Sátira, Francesc Alegre's Somni and Raonament, Pere Torroella's correspondence, and the well-known works by Diego de San Pedro (Arnalte y Lucenda; Cárcel de Amor) and Juan de Flores (Grisel y Mirabella; Grimalte y Gradissa) among others. From them, Miguel-Prendes singles out a group of dream visions whose interpretive and compositional practices sire the sentimental genre. Social interactions lead to either a consolatory or a sentimental form, which imply very different ways of seeing: the allegorical gaze of consolation gives way to narrative fiction. In distorting moral conversion, the sentimental genre heralds the novel"-- Provided by publisher
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Includes bibliographical references and index.

"Narrating Desire: Moral Consolation and Sentimental Fiction in Fifteenth-Century Spain proposes a new taxonomy and conceptual frame for the controversial Iberian genre of sentimental fiction. It traces its origin to late-medieval education in rhetoric, philosophy, and medicine as the foundation for virtuous living. In establishing the genre's boundaries and cultural underpinnings, Narrating Desire emphasizes the crucial link between Eastern and Western Iberian sentimental traditions, and offers close readings of a vast array of Catalan and Castilian fictions, translations, narrative poems, letters, and doctrinal treatises: the Catalan translations of Boethius's Consolation of Philosophy, Santillana's El sueño, Bernat Metge's Lo somni, Romeu Llull's Lo despropiament d'amor, Pedro Moner's La noche and L'anima d'Oliver, Rodríguez del Padrón's Siervo libre de amor, Carrós Pardo de la Casta's Regoneixenća, Roís de Corella's Parlament and Tragèdia de Caldesa, Pedro de Portugal's Sátira, Francesc Alegre's Somni and Raonament, Pere Torroella's correspondence, and the well-known works by Diego de San Pedro (Arnalte y Lucenda; Cárcel de Amor) and Juan de Flores (Grisel y Mirabella; Grimalte y Gradissa) among others. From them, Miguel-Prendes singles out a group of dream visions whose interpretive and compositional practices sire the sentimental genre. Social interactions lead to either a consolatory or a sentimental form, which imply very different ways of seeing: the allegorical gaze of consolation gives way to narrative fiction. In distorting moral conversion, the sentimental genre heralds the novel"-- Provided by publisher

Print version record.

Chapter 1: The consolation of schoolmen -- Chapter 2: Recanting love -- Chapter 3: Orpheus in hell: contrafacta and novelness -- Converting desire, narrating desire.

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