Forms of Performance

Contributor(s):

Material type: Text

TextSeries: Vernon series in musicPublication details: Wilmington, DE : Vernon Press, 2020.Description: 1 online resource (85 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1622738659
9781622738656

Subject(s): Genre/Form:

Additional physical formats: Print version:: Forms of Performance: From J.S. Bach to M. Alunno (1972- ).DDC classification:

780/.92 B 23

LOC classification:

ML410.B1

Online resources:

Click here to access online

Contents:

Part I. Musical border crossings in J.S. Bach's sacred Cantatas / Michael Maul ; From Bach's violin to Italian pianos : the Sei Solo in the Italian piano transcriptions / Chiara Bertoglio ; Sonatas and Partitas for violin : a play of mediations / Maria Borghesi ; Bach in Latin America : good and bad uses of his figure in music education / Francisco Castillo G. -- Part II. The futurist movement in Leo Ornstein's early piano solo music / Andrés Felipe Molano Ruiz ; Two art song versions of Leopardi's L'Infinito / Alberto Nones ; New Piano Études : a compositional and interpretive perspective / Marco Alunno and Andrés Gómez Bravo.

Summary: Today, Bach is one of the most revered and studied figures of classical music, despite there being a time in which he was almost forgotten. Divided into two sections, this volume explores research on J.S. Bach and more broadly examines the topics of music and performance studies; with the latter focusing on composers active today, such as Marco Alunno, or those from the recent past who are lesser-known and performed, such as Pietro Cimara and Leo Ornstein. Following from Nones's (ed.) previous publication Music as Communication: Perspectives on Music, Image and Performance (ABE, 2018), this work provides a rather unique contribution as a choral attempt at exploring performance today. The intention of this book and the downloadable audio content, with live recordings of the music explored at the conference from which the volume originated, is to inspire fresh approaches to the study of a monument like Bach, while also encouraging original research of modern composition and performance. Recordings of the performances given over the two days of the conference serve either to clarify arguments made in the papers or to attest to the music explored more generally. This volume is founded on the belief that the history of music is comprised of many figures, some of whom are undeservedly forgotten, and that our understanding of and approach to music is simultaneously shaped by the past and directed by the continual evolution of sounds and attitudes of the present. Examining music styles from baroque (Bach) to contemporary (Alunno), Forms of Performance will be of particular interest to Bach and performance studies scholars, as well as advanced researchers and PhD students in this field.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Today, Bach is one of the most revered and studied figures of classical music, despite there being a time in which he was almost forgotten. Divided into two sections, this volume explores research on J.S. Bach and more broadly examines the topics of music and performance studies; with the latter focusing on composers active today, such as Marco Alunno, or those from the recent past who are lesser-known and performed, such as Pietro Cimara and Leo Ornstein. Following from Nones's (ed.) previous publication Music as Communication: Perspectives on Music, Image and Performance (ABE, 2018), this work provides a rather unique contribution as a choral attempt at exploring performance today. The intention of this book and the downloadable audio content, with live recordings of the music explored at the conference from which the volume originated, is to inspire fresh approaches to the study of a monument like Bach, while also encouraging original research of modern composition and performance. Recordings of the performances given over the two days of the conference serve either to clarify arguments made in the papers or to attest to the music explored more generally. This volume is founded on the belief that the history of music is comprised of many figures, some of whom are undeservedly forgotten, and that our understanding of and approach to music is simultaneously shaped by the past and directed by the continual evolution of sounds and attitudes of the present. Examining music styles from baroque (Bach) to contemporary (Alunno), Forms of Performance will be of particular interest to Bach and performance studies scholars, as well as advanced researchers and PhD students in this field.