Nonaligned modernism : socialist postcolonial aesthetics in Yugoslavia, 1945-1985 / Bojana Videkanić.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780228000563
- 0228000564
- Socialist postcolonial aesthetics in Yugoslavia, 1945-1985
- Art, Yugoslav -- 20th century
- Modernism (Art) -- Yugoslavia
- Art -- Political aspects -- Yugoslavia -- History -- 20th century
- Aesthetics, Yugoslav -- 20th century
- Modernism (Aesthetics) -- Yugoslavia
- Aesthetics -- Political aspects -- Yugoslavia -- History -- 20th century
- Nonalignment -- Yugoslavia -- History -- 20th century
- Art yougoslave -- 20e siècle
- Modernisme (Art) -- Yougoslavie
- Art -- Aspect politique -- Yougoslavie -- Histoire -- 20e siècle
- Esthétique yougoslave -- 20e siècle
- Modernisme (Esthétique) -- Yougoslavie
- Esthétique -- Aspect politique -- Yougoslavie -- Histoire -- 20e siècle
- Non-alignement -- Yougoslavie -- Histoire -- 20e siècle
- ART -- History -- Contemporary (1945- )
- Aesthetics -- Political aspects
- Aesthetics, Yugoslav
- Art -- Political aspects
- Art, Yugoslav
- Modernism (Aesthetics)
- Modernism (Art)
- Nonalignment
- Yugoslavia
- 1900-1999
- 709.49709/04 23
- N7248.5.M63 V53 2020
- cci1icc
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
From Socialist Realism to Yugoslav Alternative Aesthetic, 1945-1954 -- Coexistence, Cultural Diplomacy, and the Ascent of Socialist Modernism -- Nonaligned Modernism in the Making: Building Parallel Transnational Culture -- The Ljubljana Biennale of Graphic Arts: Articulating Nonaligned Modernism.
"In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country's principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art. Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanić explores how cultural workers collaborated with others from the Global South to create alternative artistic and cultural networks that countered Western hegemony. Videkanić focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous, Western, and global influences. An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia's key role in the creation of a global modernist ethos and international postcolonial culture."-- Provided by publisher
Online resource; title from digital title page (viewed on March 10, 2020).
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