Cantus scriptus: Technologies of Medieval Song : the Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age ; 2010 Symposium / Emma Dillon, Lynn Ransom.

Contributor(s):

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

1463228775
9781463228774

Subject(s): Genre/Form:

DDC classification:

780.1/48 23

LOC classification:

ML172

Online resources:

Click here to access online

Contents:

Frontmatter -- Table of Contents -- Preface -- Introduction / Dillon, Emma -- Capturing Sounds: The Notation of Language / Rankin, Susan -- Music Notation, Metaphor, and the Reification of Late- Medieval Song / Stone, Anne -- Technologies of Un-Notated Transmission: Trecento Song as Literature in One Early Sixteenth-Century Poetic Anthology / Jennings, Lauren -- Monks, Manuscripts, and Other Peer-to-Peer Song Sharing Networks of the Middle Ages / Cuthbert, Michael Scott -- From Perfect to Preposterous: How Digital Restoration Can Both Help and Hinder Our Reading of Damaged Sources / Craig-McFeely, Julia -- Quill and Pixel: Chansonniers and Their Modern Readers / Alden, Jane -- List of Contributors -- Index

Summary: This volume gathers six essays from papers presented at the 3rd Annual Lawrence J. Schoenberg Symposium on November 19-20, 2010. The essays explore both the technology of inscribed musical expression in the Middle Ages-especially in regard to notation-and the role that modern digital technologies play in facilitating the study of music manuscripts today. As the manuscript evidence shows, medieval music as written text was both expressive and prescriptive in shaping music-making practices, performance, and reception.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

In English.

Online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019).

This volume gathers six essays from papers presented at the 3rd Annual Lawrence J. Schoenberg Symposium on November 19-20, 2010. The essays explore both the technology of inscribed musical expression in the Middle Ages-especially in regard to notation-and the role that modern digital technologies play in facilitating the study of music manuscripts today. As the manuscript evidence shows, medieval music as written text was both expressive and prescriptive in shaping music-making practices, performance, and reception.

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