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Mina Loy's critical modernism / Laura Scuriatti.

By: Material type: TextTextPublisher: Gainesville : University Press of Florida, 2019Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813057088
  • 0813057086
Subject(s): Genre/Form: Additional physical formats: Print version:: Mina Loy's critical modernism.DDC classification:
  • 811/.52 23
LOC classification:
  • PS3523.O975 Z88 2019eb
Online resources:
Contents:
Introduction -- Loy's dialogue with Lacerba and Italian feminism -- The objects of poetry and the economics of art -- Mina Loy's dialogic and "narratable" selves: art as collaboration -- Eccentricity, affiliation, and distance in Loy's corpus -- Conclusion.
Summary: This volume argues that Loy's corpus of works produces a kind of "critical" modernism: the author makes the case that Loy's corpus exhibits a skeptical, detached attitude towards its own simultaneous celebration and criticism of modernist aesthetic paradigms. The author provides a new, in-depth investigation of specific aspects of the Florentine and Italian context in particular, which have so far been neglected by scholarship. The volume presents new insights into Loy's feminism and argues that her texts respond to the rewriting of Otto Weininger's then widely influential theories in the magazine Lacerba. It shows that Loy's texts present dialogic, "narratable", "eccentric" selves and subjectivities, which create uncomfortable critical spaces within modernism as a broad movement
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction -- Loy's dialogue with Lacerba and Italian feminism -- The objects of poetry and the economics of art -- Mina Loy's dialogic and "narratable" selves: art as collaboration -- Eccentricity, affiliation, and distance in Loy's corpus -- Conclusion.

This volume argues that Loy's corpus of works produces a kind of "critical" modernism: the author makes the case that Loy's corpus exhibits a skeptical, detached attitude towards its own simultaneous celebration and criticism of modernist aesthetic paradigms. The author provides a new, in-depth investigation of specific aspects of the Florentine and Italian context in particular, which have so far been neglected by scholarship. The volume presents new insights into Loy's feminism and argues that her texts respond to the rewriting of Otto Weininger's then widely influential theories in the magazine Lacerba. It shows that Loy's texts present dialogic, "narratable", "eccentric" selves and subjectivities, which create uncomfortable critical spaces within modernism as a broad movement

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