The Problem of Theatrical Autonomy / Joshua Edelman.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9789048530274
- 904853027X
- 790.2 23
- PN2039
- AP 67000
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
![]() |
OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Frontmatter -- Acknowledgements -- Table of Contents -- List of Figures and Tables -- Introduction -- 1. How can we define autonomy? -- 2. The concept of artistic autonomy -- 3. Autonomy in the contemporary theatre -- 4. How agents in theatre fields make use of claims to autonomy -- 5. How theatre organization shapes claims to autonomy -- 6. How claims to autonomy serve those outside theatre fields -- Conclusion -- References -- About the Authors -- Index
As any devoted theatregoer will attest, watching a performance is a unique experience, as the social setting, rules, and standards of theatre often combine to create a feeling of liberation from the everyday world. This book explores the phenomenon of theatre as simultaneously distinct from and yet connected to society as a whole. Combining theoretical reflections with materials from European case studies, the authors offer intriguing new methods for the sociological study of theatre while contributing equally to theatre and performance studies.
In English.
Online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019).
Includes bibliographical references (pages [2015]-216) and index.
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide
There are no comments on this title.