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Death in modern theatre : stages of mortality / Adrian Curtin.

By: Material type: TextTextSeries: Theatre (Manchester, England)Publisher: Manchester : Manchester University Press, 2019Copyright date: ©2019Description: 1 online resource (xiv, 257 pages) : illustrations (black and white)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781526124715
  • 1526124718
  • 9781526124722
  • 1526124726
Subject(s): Genre/Form: Additional physical formats: Print version:: Death in modern theatre.DDC classification:
  • 809.293548 23
LOC classification:
  • PN1650.D4 C87 2019
Online resources:
Contents:
Front Matter; Dedication; Contents; List of figures; Acknowledgements; Chronology; Introduction: Stages of mortality; Beyond the veil: sensing death in symbolist theatre; Fantastical representations of death in First World War drama; The absurd drama of modern death denial; Theatres of catastrophe after Auschwitz and Hiroshima; The drama of dying in the early twenty-first century; Conclusion: Unending; References; Index
Summary: Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
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Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.

Front Matter; Dedication; Contents; List of figures; Acknowledgements; Chronology; Introduction: Stages of mortality; Beyond the veil: sensing death in symbolist theatre; Fantastical representations of death in First World War drama; The absurd drama of modern death denial; Theatres of catastrophe after Auschwitz and Hiroshima; The drama of dying in the early twenty-first century; Conclusion: Unending; References; Index

Online resource; title from digital title page (viewed on April 08, 2019).

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