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Complete poems / François Villon ; edited with English translation and commentary by Barbara N. Sargent-Baur.

By: Contributor(s): Material type: TextTextLanguage: English, French, Middle (ca. 1300-1600) Original language: French, Middle (ca. 1300-1600) Series: Toronto medieval texts and translations ; 9.Publisher: Toronto : University of Toronto Press, 2018Copyright date: ©1994Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781487585815
  • 1487585810
Uniform titles:
  • Poems. English
Subject(s): Genre/Form: Additional physical formats: Print version:: Complete poems.DDC classification:
  • 841/.2 23
LOC classification:
  • PQ1590.E5
Online resources: Summary: Francois Villon was the last of the great medieval poets, as important in his own, more limited, sphere as Chaucer or Dante. His fame surpasses that of any other medieval French lyricist in spite of the modest quantity, uneven quality, and often repellent subject-matter of his work. His poems are largely autobiographical, and are rich in their descriptions of thefts, fights, nocturnal prowling, imprisonment, and exile. However, as Barbara Sargent-Baur points out, when Villon's work is good, it is very good, indeed unforgettable. His two major works are the Lais, a series of bequests in anticipation of his prudent departure from Paris, and Testament, which is about his primary topic, himself. There have been many translations of Villon's work into many languages, including English, but this is the first edition of the whole of the corpus utilizing a re-reading of all the manuscript sources and presenting for each poem a single-source text with all emendations accounted for. It is also the first annotated English version based on the best-text principle and respecting both Villon's meaning and his metrics. A modern edition of the French texts is presented beside the English on facing pages. In an extensive commentary, Sargent-Baur identifies the poet's literary and historical allusions, as well as place-names, legatees, and biographical data.
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Text of poems in English and French on facing pages.

Includes bibliographical references and index.

Francois Villon was the last of the great medieval poets, as important in his own, more limited, sphere as Chaucer or Dante. His fame surpasses that of any other medieval French lyricist in spite of the modest quantity, uneven quality, and often repellent subject-matter of his work. His poems are largely autobiographical, and are rich in their descriptions of thefts, fights, nocturnal prowling, imprisonment, and exile. However, as Barbara Sargent-Baur points out, when Villon's work is good, it is very good, indeed unforgettable. His two major works are the Lais, a series of bequests in anticipation of his prudent departure from Paris, and Testament, which is about his primary topic, himself. There have been many translations of Villon's work into many languages, including English, but this is the first edition of the whole of the corpus utilizing a re-reading of all the manuscript sources and presenting for each poem a single-source text with all emendations accounted for. It is also the first annotated English version based on the best-text principle and respecting both Villon's meaning and his metrics. A modern edition of the French texts is presented beside the English on facing pages. In an extensive commentary, Sargent-Baur identifies the poet's literary and historical allusions, as well as place-names, legatees, and biographical data.

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