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The politics of parody : a literary history of caricature, 1760-1830 / David Francis Taylor.

By: Material type: TextTextSeries: Lewis Walpole series in eighteenth-century culture and historyPublisher: New Haven : Yale University Press, [2018]Copyright date: ©2018Description: 1 online resource (xii, 304 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780300235593
  • 0300235593
  • 0300223757
  • 9780300223750
Subject(s): Genre/Form: Additional physical formats: Print version:: Politics of parody.DDC classification:
  • 741.5/6942 23
LOC classification:
  • NC1473 .T39 2018eb
Online resources:
Contents:
Preface; Part One: Prints, Parody, And The Political Public; 1. The Literariness of Graphic Satire; 2. Looking, Literacy, and the Printshop Window; Part Two: Plotting Politics; 3. The Tempest; or, The Disenchanted Island; 4. Macbeth as Political Comedy; 5. Paradise Lost, from the Sublime to the Ridiculous; 6. Gulliver Goes to War; 7. Harlequin Napoleon; or, What Literature Isn't; Appendix: Dramatis Personae; Notes; Acknowledgments; Index.
Summary: An original take on literary history that uses visual satire to explore literature's importance to eighteenth-century political culture The first in-depth analysis of the relationship between literature and visual satire in eighteenth-century Britain, this engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the public make sense of political issues, outrages, and personalities. In a fascinating and novel approach to literary history, Taylor explores how great texts, seen through the lens of visual parody, shape how we understand the political world.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

An original take on literary history that uses visual satire to explore literature's importance to eighteenth-century political culture The first in-depth analysis of the relationship between literature and visual satire in eighteenth-century Britain, this engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the public make sense of political issues, outrages, and personalities. In a fascinating and novel approach to literary history, Taylor explores how great texts, seen through the lens of visual parody, shape how we understand the political world.

Preface; Part One: Prints, Parody, And The Political Public; 1. The Literariness of Graphic Satire; 2. Looking, Literacy, and the Printshop Window; Part Two: Plotting Politics; 3. The Tempest; or, The Disenchanted Island; 4. Macbeth as Political Comedy; 5. Paradise Lost, from the Sublime to the Ridiculous; 6. Gulliver Goes to War; 7. Harlequin Napoleon; or, What Literature Isn't; Appendix: Dramatis Personae; Notes; Acknowledgments; Index.

Online resource; title from PDF title page (EBSCO, viewed June 20, 2018).

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