Imagining world order : literature and international law in early modern Europe, 1500-1800 / Chenxi Tang.
Material type: TextPublisher: Ithaca : Cornell University Press, 2018Description: 1 online resource (xii, 341 pages)Content type:- text
- computer
- online resource
- 9781501716928
- 150171693X
- 9781501716935
- 1501716921
- 1501716913
- 9781501716911
- Law in literature
- International relations in literature
- European literature -- Early modern, 1500-1700 -- History and criticism
- European literature -- 18th century -- History and criticism
- International law -- History
- Droit dans la littérature
- Relations internationales dans la littérature
- Littérature européenne -- 18e siècle -- Histoire et critique
- Droit international -- Histoire
- BIOGRAPHY & AUTOBIOGRAPHY -- Literary
- HISTORY -- Modern -- 16th Century
- European literature
- International law
- International relations in literature
- Law in literature
- 1500-1799
- 809/.933554 23
- PN56.L33 T36 2018
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
The old world order dissolving -- The poetics of international legal order -- International order as tragedy -- International order as romance -- The divergence between international law and literature around 1700 -- The novel and international order in the eighteenth century.
"In early modern Europe, international law emerged as a means of governing relations between rapidly consolidating sovereign states, purporting to establish a normative order for the perilous international world. However, it was intrinsically fragile and uncertain, for sovereign states had no acknowledged common authority that would create, change, apply, and enforce legal norms. In Imagining World Order, Chenxi Tang shows that international world order was as much a literary as a legal matter. To begin with, the poetic imagination contributed to the making of international law. As the discourse of international law coalesced, literary works from romances and tragedies to novels responded to its unfulfilled ambitions and inexorable failures, occasionally affirming it, often contesting it, always uncovering its problems and rehearsing imaginary solutions. Tang highlights the various modes in which literary texts--some highly canonical (Camões, Shakespeare, Corneille, Lohenstein, and Defoe, among many others), some largely forgotten yet worth rediscovering--engaged with legal thinking in the period from the sixteenth to the eighteenth century. In tracing such engagements, he offers a dual history of international law and European literature. As legal history, the book approaches the development of international law in this period--its so-called classical age--in terms of literary imagination. As literary history, Tang recounts how literature confronted the question of international world order and how, in the process, a set of literary forms common to major European languages (epic, tragedy, romance, novel) evolved"-- Publisher's Web site.
Online resource; title from digital title page (viewed on December 14, 2018).
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